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[null,"1.","Record Nr.",null,"UNINA9910452501903321"]
[null,null,"Titolo",null,"The ethics of literary communication : genuineness, directness, indirectness / / edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi University"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam : , : John Benjamins Publishing Company, , [2013]"]
[{"$nulls":4},"©2013"]
[null,null,"ISBN",null,"90-272-7168-2"]
[null,null,"Descrizione fisica",null,"1 online resource (283 p.)"]
[null,null,"Collana",null,"Dialogue studies ; ; volume 19"]
[null,null,"Disciplina",null,"808.001/4"]
[null,null,"Soggetti",null,"Discourse analysis, Literary"]
[{"$nulls":4},"Communication in literature"]
[{"$nulls":4},"Language and ethics"]
[{"$nulls":4},"Literature - Philosophy"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"The Ethics of Literary Communication; Editorial page; Title page; LCC data; Dedication page; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. \"Not my readers but the readers of their own selves\": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. \"It seemed to me that I myself was what the book was talking about\""]
[{"$nulls":4},"References4. Intersubjective positioning and community-making: E. E. Cummings's Preface to his Collected Poems; 1. Targeting and creating a literary audience; 2. Theoretical background; 3. Courtship; 4. Commandeering; 5. Real readers and dialogical response; References; 5. Genuine and distorted communication in autobiographical writing: E. M. Forster's \"West Hackhurst\"; 1. An undervalued text?; 2. Genesis, structure and first impressions; 3. The Memoir Club as a literary site; 4. Literary artistry in autobiographical writing; 5. An honest portrait of communicational failure"]
[{"$nulls":4},"6. Conclusion: Bigger than it seemsReferences; 6. Women and the public sphere: Pope's addressivity through The Dunciad; 1. "]
[{"$nulls":4},"Introduction; 2. A personal address and its consequences; 3. Comparing notes about communication; 4. Impolite genuineness; References; 7. Kipling, his narrator, and public interest; 1. The narrator in the stories; 2. Kipling in the autobiography; 3. A community founded on public interest; References; 8. Call and response: Autonomy and dialogicity in Isaac Bashevis Singer's The Penitent; 1. The narrative framework and communicational ethics; 2. Religion and literature"]
[{"$nulls":4},"3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's \"The Tyger\": The act of creation questioned; 3. Meeting apart in Emily Dickinson's \"I cannot live with You\"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology and cultural resistance; 4. Literary resistance"]
[{"$nulls":4},"5. Patterns of response to totalitarian discourse6. Conclusions; References; Appendix; 11. Terminal aposiopesis and sublime communication: Shakespeare's Sonnet 126 and Keats's \"To Autumn\"; 1. \"The vice of writing\"; 2. Terminal aposiopesis and its triple challenge; 3. Two cases in point; 4. Absolute sublimity and contextless communication; References; 12. The utopian horizon of communication: Ernst Bloch's Traces and Johann-Peter Hebel's Treasure Che; 1. Introduction; 2. Literature as communication; 3. Bloch: Traces of the ultimate; 4. The \"we-problem\""]
[{"$nulls":4},"5. Johann-Peter Hebel: The calendar story as a place of openness"]
[null,null,null,"Sommario/riassunto","Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonomy? If and when the answer here is \"Yes!\", Sell's team describe the communication that is going on as 'genuine'. In this latest book, they offer new illustrations of what they mean by this, and ask whether genuineness is compatible with communicational directness and communicational indirectness. Is there"]
[null,"2.","Record Nr.",null,"UNINA9910145296303321"]
[null,null,"Titolo",null,"Cultural bodies [[electronic resource] ] : ethnography and theory / / edited by Helen Thomas and Jamilah Ahmed"]
[null,null,"Pubbl/distr/stampa",null,"Malden, MA, : Blackwell Pub., 2004"]
[null,null,"ISBN",null,"1-281-31085-9"]
[{"$nulls":4},"9786611310851"]
[{"$nulls":4},"0-470-70381-4"]
[{"$nulls":4},"0-470-77583-1"]
[{"$nulls":4},"0-470-77694-3"]
[null,null,"Descrizione fisica",null,"1 online resource (330 p.)"]
[null,null,"Classificazione",null,"73.02"]
[null,null,"Disciplina",null,"306.4"]
[null,null,"Soggetti",null,"Human body - Social aspects"]
[{"$nulls":4},"Ethnology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Inscriptions of love / Les Back ; photography by Paul Halliday -- From catwalk to catalog : male fashion models, masculinity, and identity / Joanne Entwistle -- Reading racialized bodies : learning to see difference / Suki Ali -- Narratives of embodiment : body, aging, and career in Royal Ballet dancers / Steven P. Wainwright and Bryan S. Turner -- Being a body in a cultural way : understanding the cultural in the embodiment of dance / Sally Ann Allen Ness -- Bare life / Nigel Thrift -- Lolo's breasts, cyborgism, and a wooden Christ / Simon Shepherd -- Talking back to neuro-reductionism / Emily Martin -- Eating for a living : a rhizo-ethology of bodies / Elspeth Probyn -- Health and the holy in the Afro-Brazilian candomblé / Thomas J. Csordas -- Here comes the sun : shedding light on the cultural body / Simon Carter and Mike Michael -- Reaching the body : future directions / Jamilah Ahmed."]
[null,null,null,"Sommario/riassunto","Cultural Bodies: Ethnography and Theory is a unique collection that integrates two increasingly key areas of social and cultural research: the body and ethnography. Breaks new ground in an area of study that continues to be a central theme of debate and research across the humanities and social sciencesDraws on ethnography as a useful means of exploring our everyday social and cultural environmentsConstitutes an important step in developing two key areas of study, the body and "]
[{"$nulls":4},"ethnography, and the relationship between themBrings together an inter"]
[null,"3.","Record Nr.",null,"UNINA9911020462903321"]
[null,null,"Autore",null,"Sagolla Dom"]
[null,null,"Titolo",null,"140 characters [[electronic resource] ] : a style guide for the short form / / Dom Sagolla"]
[null,null,"Pubbl/distr/stampa",null,"Hoboken, N.J., : John Wiley & Sons, c2009"]
[null,null,"ISBN",null,"0-470-58838-1"]
[{"$nulls":4},"1-282-30651-0"]
[{"$nulls":4},"9786612306518"]
[{"$nulls":4},"1-118-25800-2"]
[{"$nulls":4},"0-470-58836-5"]
[null,null,"Descrizione fisica",null,"1 online resource (210 p.)"]
[null,null,"Disciplina",null,"808"]
[{"$nulls":4},"808.066384"]
[null,null,"Soggetti",null,"Instant messaging"]
[{"$nulls":4},"Text messages (Cell phone systems)"]
[{"$nulls":4},"Electronic mail messages"]
[{"$nulls":4},"Digital media - Editing"]
[{"$nulls":4},"Online authorship"]
[{"$nulls":4},"Authorship"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"140 Characters: A Style Guide for the Short Form; Contents; Acknowledgments; Foreword; Introduction; The Short Form; The History of Twitter; Part One: LEAD; Chapter 1: Describe: A Brief Digression to Discuss Journalism Is Warranted; Chapter 2: Simplify: Say More with Less; Chapter 3: Avoid: Don't Become a Fable about Too Much Information; Part Two: VALUE; Chapter 4: Voice: Say It Out Loud; Chapter 5: Reach: Understand Your Audience; Chapter 6: Repeat: It Worked for Shakespeare; Chapter 7: Mention: Stamp Your Own Currency; Chapter 8: Dial: Search for Silence, Volume, and Frequency"]
[{"$nulls":4},"Chapter 9: Link: Deduce the Nature of Short MessagesChapter 10: Word: Expose the Possibilities in Phraseology, Poetry, and Invention; Part Three: MASTER; Chapter 11: Tame: Apply Multiple Techniques Toward the Same End; Chapter 12: Cultivate: Meet 140 Characters, Each with a Unique Story; Chapter 13: Branch: Steady, Organic Growth Is Most Manageable; Part Four: EVOLVE; Chapter 14: Filter: Teach the "]
[{"$nulls":4},"Machine to Think Ahead; Chapter 15: Open: Give and You Shall Receive; Chapter 16: Imitate: There Is Nothing Original, Except in Arrangement"]
[{"$nulls":4},"Chapter 17: Iterate: Practice a Sequence of Tiny AdjustmentsPart Five: ACCELERATE; Chapter 18: Increase: Do More; Chapter 19: Fragment Do it Smaller; Recommended Reading; Glossary; Index"]
[null,null,null,"Sommario/riassunto","Make the most of your messages on Twitter, Facebook, and other social networking sites The advent of Twitter and other social networking sites, as well as the popularity of text messaging, have made short-form communication an everyday reality. But expressing yourself clearly in short bursts-particularly in the 140-character limit of Twitter-takes special writing skill. In 140 Characters, Twitter co-creator Dom Sagolla covers all the basics of great short-form writing, including the importance of communicating with simplicity, honesty, and humor. For marketers and business owners, s"]