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[null,"1.","Record Nr.",null,"UNINA9910978076803321"]
[null,null,"Autore",null,"Thelen Emily S"]
[null,null,"Titolo",null,"The Seven Sorrows Confraternity of Brussels : Drama, Ceremony, and Art Patronage (16th-17th Centuries)"]
[null,null,"Pubbl/distr/stampa",null,"Turnhout : , : Brepols Publishers, , 2015"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"2-503-55431-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (182 pages)"]
[null,null,"Collana",null,"Studies in European Urban History (1100-1800) ; ; v.37"]
[null,null,"Disciplina",null,"949.3"]
[null,null,"Soggetti",null,"Nobel Prizes - History"]
[{"$nulls":4},"National characteristics, Belgian"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","The Seven Sorrows Devotion in its urban context: A ground-breaking interdisciplinary study of the Seven Sorrows confraternity of Brussels. Devotion to the Virgin of Seven Sorrows flourished in the Low Countries in the late fifteenth and early sixteenth centuries under the auspices of the court of Philip the Fair. Quickly becoming a widespread phenomenon, the Seven Sorrows devotion generated dramatic plays, artistic works, music, and numerous miracles. Underlying the popularity of the devotion was the network of confraternity chapters dedicated to the Virgin of Sorrows. Of these chapters, the Seven Sorrows confraternity of Brussels was singled out, receiving the special patronage of Philip the Fair, Maximilian I, and Margaret of Austria. Taking the confraternity of Brussels as a focal point, this volume examines the Seven Sorrows devotion in its urban context. The essays of this collection explore the artistic, musical, and dramatic products of the Seven Sorrows devotion as created in and by the civic networks and artistic channels of Brussels. The structure of the confraternity and its historical importance for the city are also demonstrated. As an important counterpoint to work in Italian confraternity studies, this volume is the first interdisciplinary study of a confraternity in the Low Countries in English."]
[null,"2.","Record Nr.",null,"UNINA9911019514103321"]
[null,null,"Autore",null,"Bodrogi Peter"]
[null,null,"Titolo",null,"Illumination, color and imaging : evaluation and optimization of visual displays / / Peter Bodrogi and Tran Quoc Khanh"]
[null,null,"Pubbl/distr/stampa",null,"Weinheim, : Wiley-VCH Verlag GmbH & Co. KGaA, c2012"]
[null,null,"ISBN",null,"9786613854759"]
[{"$nulls":4},"9783527650743"]
[{"$nulls":4},"3527650741"]
[{"$nulls":4},"9781283542302"]
[{"$nulls":4},"1283542307"]
[{"$nulls":4},"9783527650729"]
[{"$nulls":4},"3527650725"]
[{"$nulls":4},"9783527650750"]
[{"$nulls":4},"352765075X"]
[null,null,"Descrizione fisica",null,"1 online resource (398 p.)"]
[null,null,"Collana",null,"Wiley SID series in display technology"]
[null,null,"Disciplina",null,"006.6"]
[{"$nulls":4},"621.381"]
[null,null,"Soggetti",null,"Video display terminals"]
[{"$nulls":4},"Lighting"]
[{"$nulls":4},"Color"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Illumination, Color and Imaging: Evaluation and Optimization of Visual Displays; Contents; Series Editor's Foreword; Preface; About the Authors; 1 Color Vision and Self-Luminous Visual Technologies; 1.1 Color Vision Features and the Optimization of Modern Self-Luminous Visual Technologies; 1.1.1 From Photoreceptor Structure to Colorimetry; 1.1.2 Spatial and Temporal Contrast Sensitivity; 1.1.3 Color Appearance Perception; 1.1.4 Color Difference Perception; 1.1.5 Cognitive, Preferred, Harmonic, and Emotional Color; 1.1.6 Interindividual Variability of Color Vision"]
[{"$nulls":4},"1.2 Color Vision-Related Technological Features of Modern Self-Luminous (Nonprinting) Visual Technologies1.3 Perceptual, Cognitive, and Emotional Features of the Visual System and the Corresponding Technological Challenge; References; 2 Colorimetric and Color Appearance-Based Characterization of Displays; 2.1 Characterization "]
[{"$nulls":4},"Models and Visual Artifacts in General; 2.1.1 Tone Curve Models and Phosphor Matrices; 2.1.2 Measured Color Characteristics, sRGB, and Other Characterization Models; 2.1.3 Additivity and Independence of the Color Channels"]
[{"$nulls":4},"2.1.4 Multidimensional Phosphor Matrices and Other Methods2.1.5 Spatial Uniformity and Spatial Independence; 2.1.6 Viewing Direction Uniformity; 2.1.7 Other Visual Artifacts; 2.1.8 The Viewing Environment: Viewing Conditions and Modes; 2.1.9 Application of CIELAB, CIELUV, and CIECAM02 to Self-Luminous Displays; 2.2 Characterization Models and Visual Artifacts of the Different Display Technologies; 2.2.1 Modern Applications of the Different Display Technologies; 2.2.2 Special Characterization Models of the Different Displays; 2.2.2.1 CRT; 2.2.2.2 PDP"]
[{"$nulls":4},"2.2.2.3 Various LCD Technologies and Their Viewing Direction Uniformity2.2.2.4 Head-Mounted Displays and Head-Up Displays; 2.2.2.5 Projectors Including DMD and LCD; 2.2.2.6 OLEDs; 2.3 Display Light Source Technologies; 2.3.1 Projector Light Sources; 2.3.2 Backlight Sources; 2.3.3 Color Filters, Local Dimming, and High Dynamic Range Imaging; 2.4 Color Appearance of Large Viewing Angle Displays; 2.4.1 Color Appearance Differences between Small and Large Color Stimuli; 2.4.1.1 Color Appearance of an Immersive Color Stimulus on a PDP"]
[{"$nulls":4},"2.4.1.2 Xiao et al.'s Experiment on the Appearance of a Self-Luminous 50° Color Stimulus on an LCD2.4.2 Mathematical Modeling of the Color Size Effect; References; 3 Ergonomic, Memory-Based, and Preference-Based Enhancement of Color Displays; 3.1 Ergonomic Guidelines for Displays; 3.2 Objectives of Color Image Reproduction; 3.3 Ergonomic Design of Color Displays: Optimal Use of Chromaticity Contrast; 3.3.1 Principles of Ergonomic Color Design; 3.3.2 Legibility, Conspicuity, and Visual Search; 3.3.3 Chromaticity Contrast for Optimal Search Performance"]
[{"$nulls":4},"3.3.4 Chromaticity and Luminance Contrast Preference"]
[null,null,null,"Sommario/riassunto","This much needed, comprehensive and modern reference on display technology, illumination sources and color imaging focuses on visual effects and how reproduced images are best matched to human visual features.As such, it teaches readers how to exploit the knowledge of human color information processing to design usable, ergonomic, and pleasing displays or visual environments. The contents describe design principles and methods to optimize self-luminous visual technologies for the human user, including modern still and motion image displays, and indoor light sources. Design principles and m"]