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[null,"1.","Record Nr.",null,"UNINA9911019166503321"]
[null,null,"Autore",null,"Hamilton James R"]
[null,null,"Titolo",null,"The art of theater / / James R. Hamilton"]
[null,null,"Pubbl/distr/stampa",null,"Malden, MA ; ; Oxford, : Blackwell Pub., 2007"]
[null,null,"ISBN",null,"9786611069056"]
[{"$nulls":4},"9781281069054"]
[{"$nulls":4},"1281069051"]
[{"$nulls":4},"9780470690871"]
[{"$nulls":4},"0470690879"]
[{"$nulls":4},"9780470766101"]
[{"$nulls":4},"0470766107"]
[null,null,"Descrizione fisica",null,"1 online resource (244 p.)"]
[null,null,"Collana",null,"New directions in aesthetics ; ; 4"]
[null,null,"Disciplina",null,"792.01"]
[null,null,"Soggetti",null,"Theater - Philosophy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Prologue; Part I:The Basics; 1 The Emergence of the Art of Theater:Background and History; 1.1 The backstory:1850s to 1950s; 1.2 The decisive in . uences:Brecht,Artaud,Grotowski; 1.3 The decisive years:1961 to 1985; 1.4 The final threads:absorption of new practices into the profession and the academy; 2 Theatrical Performance is an Independent Form of Art; 2.1 Theatrical performance as radically independent of literature; 2.2 Theatrical performance as a form of art; 3 Methods and Constraints; 3.1 Idealized cases that help focus on features needing analysis"]
[{"$nulls":4},"3.2 Three general facts about theatrical performances and the constraints they impose on any successful account of theatrical performances4 Theatrical Enactment:The Guiding Intuitions; 4.1 Enactment:something spectators and performers do; 4.2 The crucial concept:\"attending to another \"; 4.3 What it is to \"occasion \" responses; 4.4 Audience responses:willing suspension of disbelief, acquired beliefs,or acquired abilities?; 4.5 Relativizing the account by narrowing its scope to narrative performances; Part II:The Independence of Theatrical Performance; 5 Basic Theatrical Understanding"]
[{"$nulls":4},"5.1 Minimal general success conditions for basic theatrical understanding5.2 Physical and affective responses of audiences as non-discursive evidence of understanding; 5.3 The success conditions "]
[{"$nulls":4},"for basic theatrical understanding met by moment-to-moment apprehension of performances; 5.4 \"Immediate objects,\" \"developed objects,\" and \"cogency \"; 5.5 Objects of understanding having complex structures; 5.6 Generalizing beyond plays; 5.7 The problem of \"cognitive uniformity \"; 6 The Mechanics of Basic Theatrical Understanding"]
[{"$nulls":4},"6.1 The \"feature-salience \" model of spectator convergence on the same characteristics6.2 What it is to respond to a feature as salient for some characteristics or a set of facts; 6.3 A thin common knowledge requirement; 6.4 A plausibly thickened common knowledge requirement; 6.5 The feature-salience model,\"reader-response theory,\" and \"intentionalism \"; 6.6 Generalizing the salience mechanism to encompass non-narrative performances; 6.7 Some important benefits of the feature-salience model: double-focus,slippage,\"performer power,\" \"character power,\" and t"]
[{"$nulls":4},"6.8 The feature-salience model and explaining how basic theatrical understanding occurs7 What Audiences See; 7.1 Identifying characters,events,and other objects in narrative performances; 7.2 Re-identification of characters and other objects in narrative performances; 7.3 The special nature of theatrical (uses of )space: performances and performance space; 7.4 Cross-performance re-identification; 7.5 Identifying and re-identifying objects in non-narrative performances; 7.6 Added benefits of the demonstrative and recognition- based approach to identification and re-identification"]
[{"$nulls":4},"7.7 Theatrical performance as a fully independent practice"]
[null,null,null,"Sommario/riassunto","The Art of Theater argues for the recognition of theatrical performance as an art form independent of dramatic writing. Identifies the elements that make a performance a work of art Looks at the competing views of the text-performance relationships An important and original contribution to the aesthetics and philosophy of theater"]