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[null,"1.","Record Nr.",null,"UNINA9910148925603321"]
[null,null,"Autore",null,"Watson Casey"]
[null,null,"Titolo",null,"Nowhere to Go: The Heartbreaking True Story of a Boy Desperate to Be Loved"]
[null,null,"Pubbl/distr/stampa",null,"HarperCollins UK"]
[null,null,"ISBN",null,"0-00-759603-0"]
[null,null,"Disciplina",null,"362.733092"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Musica"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","Bestselling author and foster carer Casey Watson shares the shocking true story of Tyler, an abused eleven-year-old who, after stabbing his step-mother, had nowhere else to go.Knowing a little of Tyler's past - his biological mother, a heroin addict, died of an overdose when he was three - Casey feels bound to do her best for him. It isn't easy; Tyler continuously lashes out, even trying to attack Casey herself. Investigation into his earlier childhood reveals why: forced to watch his mother die he was found emaciated and traumatised two days later, then delivered to a father who didn't want him and a step-mother who beat him.With the horrific events of his past now vividly affecting the course of his present, Casey and her husband Mike are determined to veer him away from the violence and drugs they fear he will come to depend on.Heartbreaking and profoundly moving, Nowhere to Go tells the story of a child forsaken by his family but fought for by his foster carers."]
[null,"2.","Record Nr.",null,"UNINA9910778155203321"]
[null,null,"Autore",null,"Henriksen Line"]
[null,null,"Titolo",null,"Ambition and Anxiety : Ezra Pound's Cantos and Derek Walcott's Omeros as Twentieth-Century Epics / / Line Henriksen"]
[null,null,"Pubbl/distr/stampa",null,"Leiden; ; Boston : , : BRILL, , 2006"]
[null,null,"ISBN",null,"94-012-0396-2"]
[{"$nulls":4},"1-4294-8075-0"]
[null,null,"Descrizione fisica",null,"1 online resource (367 p.)"]
[null,null,"Collana",null,"Cross/Cultures ; ; 88"]
[null,null,"Disciplina",null,"811/.5"]
[null,null,"Soggetti",null,"Epic poetry - History and criticism"]
[{"$nulls":4},"Epic poetry"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Acknowledgements -- Introduction -- 1. Homer and Genre -- 2. Dante and Christian Epic -- 3. Epic Anxiety and Imperialistic Epic -- 4. Metonymic Epic -- 5. Caribbean Epic -- 6. Metaphoric Epic -- Works Cited -- Index."]
[null,null,null,"Sommario/riassunto","This comparative study investigates the epic lineage that can be traced back from Derek Walcott's Omeros and Ezra Pound's Cantos through Dante's Divina Commedia to the epic poems of Virgil and Homer, and identifies and discusses in detail a number of recurrent key topoi. A fresh definition of the concept of genre is worked out and presented, based on readings of Homer. The study reads Pound's and Walcott's poetics in the light of Roman Jakobson's notions of metonymy and metaphor, placing their long poems at the respective opposite ends of these language poles. The notion of 'epic ambition' refers to the poetic prestige attached to the epic genre, whereas the (non-Bloomian) 'anxiety' occurs when the poet faces not only the risk that his project might fail, but especially the moral implications of that ambition and the fear that it might prove presumptuous. The drafts of Walcott's Omeros are here examined for the first time, and attention is also devoted to Pound's creative procedures as illustrated by the drafts of the Cantos. Although there has already been an intermittent critical focus on the 'classical' (and 'Dantean') antecedents of Walcott's poetry, the present study is the first to bring together the whole range of epic intertextualities underlying Omeros , and the first to read this Caribbean masterpiece in the context of Pound's achievement."]
[null,"3.","Record Nr.",null,"UNINA9911018650103321"]
[null,null,"Autore",null,"Hair Ross"]
[null,null,"Titolo",null,"0 to 9 and the New York Avant-Garde : Publishing by Numbers / / by Ross Hair"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025"]
[null,null,"ISBN",null,"9783031967474"]
[{"$nulls":4},"9783031967467"]
[null,null,"Edizione",null,"[1st ed. 2025.]"]
[null,null,"Descrizione fisica",null,"1 online resource (281 pages)"]
[null,null,"Collana",null,"New Directions in Book History, , 2634-6125"]
[null,null,"Disciplina",null,"071.471"]
[null,null,"Soggetti",null,"Books - History"]
[{"$nulls":4},"Civilization - History"]
[{"$nulls":4},"Literature, Modern - 20th century"]
[{"$nulls":4},"Printing"]
[{"$nulls":4},"Publishers and publishing"]
[{"$nulls":4},"History of the Book"]
[{"$nulls":4},"Cultural History"]
[{"$nulls":4},"Twentieth-Century Literature"]
[{"$nulls":4},"Printing and Publishing"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Chapter 01: Introduction: No New York -- Chapter 02: From Sheet to Street: The Systems of 0 to 9 -- Chapter 03: Vito Acconci: Poetry Under Cover -- Chapter 04: Copy That: Deciphering Hannah Weiner’s Code -- Chapter 05: A Parting of the Ways."]
[null,null,null,"Sommario/riassunto","Edited and self-published by Bernadette Mayer and Vito Acconci from 1967 to 1969, 0 to 9 not only documented some of the most compelling examples of intermedia performance, contemporary poetry, and post-formalist art of the period, but also pioneered new ways of conceiving (and using) the magazine as medium and instrument. 0 to 9 and the New York Avant-Garde: Publishing by Numbers examines how the magazine both responded to and helped shape key developments in New York’s often fractious avant-garde communities. The book pays particular attention to the ways in which Mayer and Acconci foregrounded the material and generic qualities of the magazine and conceived their periodical as a means of generating (as well as "]
[{"$nulls":4},"documenting) art and poetry. 0 to 9 and the New York Avant-Garde considers the ways in which 0 to 9 interacted with other artistic movements and theoretical concerns of the period—including cybernetics, Pop Art, structuralism, and information theory. Arguing for the enduring importance of the magazine, and its unique position in the history of New York’s experimental art and literary scenes, this study contends that 0 to 9 was both a swan song of 1960s idealism and a precursor for the directions that avant-garde art would take in the decades that followed the magazine’s demise. Ross Hair is Emeritus Professor at the University of East Anglia, UK, and the author of Ronald Johnson’s Modernist Collage Poetry (2010), Avant-Folk: Small Press Poetry Networks from 1950 to the Present (2016), Brilliant Absence: Pursuing the Kingfisher in the Work of Hans Waanders (2019), and, with Thomas Ruys Smith, the co-editor of Harry Smith’s Anthology of American Folk Music: America Changed Through Music (2016)."]