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[null,"1.","Record Nr.",null,"UNINA9910798871503321"]
[null,null,"Autore",null,"Johnson E. Pauline <1861-1913.>"]
[null,null,"Titolo",null,"Learn, teach, challenge : approaching Indigenous literatures / / Deanna Reder and Linda M. Morra, editors"]
[null,null,"Pubbl/distr/stampa",null,"Waterloo, Ontario : , : Wilfrid Laurier University Press, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"1-77112-187-4"]
[{"$nulls":4},"1-77112-185-8"]
[null,null,"Descrizione fisica",null,"1 online resource (561 pages) : illustrations"]
[null,null,"Collana",null,"Indigenous Studies Series"]
[null,null,"Disciplina",null,"810.9897"]
[null,null,"Soggetti",null,"Canadian literature - Indian authors - History and criticism"]
[{"$nulls":4},"Canada Literary collections"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,null,"Sommario/riassunto","\"E. Pauline Johnson, also known as Tekahionwake, is remarkable as one of a very few early North American Indigenous poets and fiction writers. Most Indigenous writers of her time were men educated for the ministry who published religious, anthropological, autobiographical, political, and historical works, rather than poetry and fiction. More extraordinary still, she became both a canonical poet and a literary celebrity, performing on stage for fifteen years across Canada, in the US, and in London. Johnson is now seen as a central figure in the intellectual history of Canada and the United States, and as an important historical example of Indigenous feminism. This edition collects a diverse range of Johnson's writings on what was then called \"the Indian question\" and on the question of her own complex Indigenous identity. Six thematic sections gather Johnson's poetry, fiction, and non-fiction, and a rich selection of historical appendices provide context for her public life and her work as a feminist and activist for Indigenous people\"--"]
[null,"2.","Record Nr.",null,"UNINA9911015857303321"]
[null,null,"Autore",null,"Zhang Chi"]
[null,null,"Titolo",null,"Beyond the Teacup: 18th Century Sino-British Tea Trade and Design Cultural Exchange / / by Chi Zhang"]
[null,null,"Pubbl/distr/stampa",null,"Singapore : , : Springer Nature Singapore : , : Imprint : Palgrave Macmillan, , 2025"]
[null,null,"ISBN",null,"981-9776-91-0"]
[null,null,"Edizione",null,"[1st ed. 2025.]"]
[null,null,"Descrizione fisica",null,"1 online resource (195 pages)"]
[null,null,"Collana",null,"History Series"]
[null,null,"Disciplina",null,"394.1509"]
[null,null,"Soggetti",null,"World history"]
[{"$nulls":4},"China - History"]
[{"$nulls":4},"International relations - History"]
[{"$nulls":4},"Economic history"]
[{"$nulls":4},"Art - History"]
[{"$nulls":4},"World History, Global and Transnational History"]
[{"$nulls":4},"History of China"]
[{"$nulls":4},"Diplomatic and International History"]
[{"$nulls":4},"Economic History"]
[{"$nulls":4},"Art History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Chapter 1: Introduction -- Chapter: 2 the Westward Transmission of Chinese Tea Culture Driven by Business Interest -- Chapter 3\" Extravagance and Flaunt:the Consumption and Localization of English Tea -- Chapter 4: Moving Towards Mass Consumption -- Chapter 5: Challenge and Integration: China' s Response to Western Market -- Chapter 6: Imitation and Innovation:The Rise of Tea-Related Industries in Britain -- Chapter 7: Hybridization and Blending:Transition from Scene Construction to Spatial Aesthetics -- Conclusion."]
[null,null,null,"Sommario/riassunto","This book focuses on tea-ware design exchanges between China and the UK since the middle of 17th Century, and explores how design encouraged trade and how the market demand influenced the development of design. The spirit of Chinese tea came to Britain alone with tea itself, and enriched the design of tea-ware, as well as British tea culture. During this process, tea-related oriental aesthetics evolved into an aesthetic image mechanism and developed as aesthetic "]
[{"$nulls":4},"concept, which infiltrated from private space to social space. Zhang Chi, Associate Professor at Beijing Institute of Fashion Technology. She received her Ph.D. in Design Theory and History from the School of Design, China Central Academy of Fine Arts. She also holds a master's degree in Curating Contemporary Design from Kingston University,London,UK. She was awarded a full scholarship from the Sino-British Fellowship Trust for the academic year 2011/2012. Her research primarily focuses on cultural exchange in design from a global perspective. Chi was participated in numerous national and provincial research projects, authored one monograph, translated one book, and published over 20 papers in Chinese and English in core Chinese journals, general journals, and international conferences."]