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[null,"1.","Record Nr.",null,"UNINA9911009210603321"]
[null,null,"Autore",null,"Pickering-Iazzi Robin"]
[null,null,"Titolo",null,"The Mafia in Italian Lives and Literature : Life Sentences and Their Geographies / / Robin Pickering-Iazzi"]
[null,null,"Pubbl/distr/stampa",null,"Toronto : , : University of Toronto Press, , [2020]"]
[{"$nulls":4},"©2015"]
[null,null,"ISBN",null,"1-4426-2578-3"]
[{"$nulls":4},"1-4426-2577-5"]
[null,null,"Descrizione fisica",null,"1 online resource (285 p.)"]
[null,null,"Collana",null,"Cultural Spaces"]
[null,null,"Disciplina",null,"850.9/3556"]
[null,null,"Soggetti",null,"Mafia in literature"]
[{"$nulls":4},"Crime in literature"]
[{"$nulls":4},"Mafia - Italy - History"]
[{"$nulls":4},"Italian literature - History and criticism"]
[{"$nulls":4},"Libros electronicos."]
[{"$nulls":4},"Italy"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages [252]-265) and index."]
[null,null,"Nota di contenuto",null,"Frontmatter -- Contents -- Acknowledgments -- Introduction: Mafia Cityworlds: Geographies of Narration -- 1. The Female Mafia Imaginary: Contemporary Mafiose and Gabriella Badalamenti's Come l'oleandro -- 2. The Mafia and the (Non)sense of Place: Amelia Crisantino's Cercando Palermo -- 3. Maria Rosa Cutrufelli's Postmodern Geography of Impegno: Mafia Urban Desertification in Canto al deserto: Storia di Tina, soldato di mafia -- 4. Mafia Geographies of Voicelessness: Silvana La Spina's L'ultimo treno da Catania -- 5. Engendering Testimonial Geographies of Legality: Bodily Interiors, Urban Faces, Cyberspatialities -- Notes -- Works Cited -- Index -- CULTURAL SPACES"]
[null,null,null,"Sommario/riassunto","Pickering-Iazzi uses an array of cultural documents from 1990 to the present to examine the myths, values, codes of behaviour, and relationships produced by the Italian mafia through a wide cross-disciplinary lens."]