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[null,"1.","Record Nr.",null,"UNINA9911006856003321"]
[null,null,"Titolo",null,"Iron Ore 2017"]
[null,null,"Pubbl/distr/stampa",null,"Perth, Australia : , : The Australasian Institute of Mining and Metallurgy (The AusIMM), , 2017"]
[null,null,"ISBN",null,"1-5231-6121-3"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Soggetti",null,"Iron ranges"]
[{"$nulls":4},"Geology"]
[{"$nulls":4},"Geology - Statistical methods"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages) and index."]
[null,null,null,"Sommario/riassunto","Iron Ore 2017, held from 24-26 July in Perth, Australia was the latest inthe well-established international iron ore conference series jointly organised by the Australasian Institute of Mining and Metallurgy (the AusIMM) and CSIRO. These conferences are an important biennial event featuring the latest developments in the genesis, geology, exploration, mining and processing of iron ores, bringing together geologists, geophysicists, geochemists, geostatisticians, mining engineers, mineralogists, metallurgists, managers, operators, consultants, research providers, engineering companies, equipment manufacturers, and analytical and metallurgical service providers involved in all aspects of the iron ore industry. The theme of the conference this year is Building Resilience', which is particularly relevant in the current challenging climate of fluctuating iron ore prices. The papers included in these conference proceedings comprise a range of keynote papers from iron ore producers, consumers, government and market analysts, as well as more than 80 technical papers. As per previous conferences, technical papers were sought from a wide range of areas, including geology, geostatistics and ore reserve estimation, ore characterisation, mining, processing, automation, project optimisation and development, health and safety, environment and community, technical marketing, logistics, utilities and new equipment."]
[null,"2.","Record Nr.",null,"UNINA9910967325003321"]
[null,null,"Autore",null,"Cruz Juana Ines de la <1648-1695.>"]
[null,null,"Titolo",null,"El divino Narciso / / by Juana Ines de la Cruz"]
[null,null,"Pubbl/distr/stampa",null,"Alexandria, Va., : Alexander Street Press, 2007"]
[null,null,"Edizione",null,"[[1st electronic ed.].]"]
[null,null,"Descrizione fisica",null,"1 online resource (49 p.)"]
[null,null,"Collana",null,"Latin American women writers"]
[null,null,"Disciplina",null,"862"]
[null,null,"Soggetti",null,"Mexican drama - Women authors"]
[{"$nulls":4},"Drama"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from HTML t.p. (viewed Aug. 5, 2008)."]
[null,null,"Nota di contenuto",null,"Intro -- Créditos -- Brevísima presentación -- La vida -- El Divino Narciso -- Personajes -- Cuadro I -- Escena I -- Escena II -- Escena III -- Escena IV -- Cuadro II -- Escena V -- Cuadro III -- Escena VI -- Escena VII -- Escena VIII -- Cuadro IV -- Escena IX -- Escena X -- Escena XI -- Escena XII -- Cuadro V -- Escena XIII -- Escena XIV -- Escena XV -- Escena XVI -- Escena XVII -- Libros a la carta."]
[null,null,null,"Sommario/riassunto","El Divino Narciso es el auto sacramental más conocido de Sor Juana Inés de la Cruz. En él se identifica al mitológico Narciso con Cristo, que ve no ya su propio reflejo, sino su semejanza en la Naturaleza Humana, por lo que se trata de una reelaboración del mito griego de Narciso a partir del imaginario religioso católico.El divino Narciso cuenta con personajes alegóricos, mitológicos y una pequeña participación de personajes bíblicos. Así, Naturaleza Humana, la protagonista, dialoga con Sinagoga y Gentilidad, se enfrenta a Eco y a Soberbia.Narciso, bellísimo hijo de la ninfa Liríope y del río Cefiso personifica la hermosura de la adolescencia.El Divino Narciso alude al tema de la conquista de América y a las tradiciones de los pueblos nativos del continente. Sor Juana se aprovecha de un rito azteca, representado por un tocotín, en honor a Huitzilopochtli para introducir la veneración a la Eucaristía y ligar las creencias precolombinas con el catolicismo hispánico.El título de este auto sacramental alude a El divino Orfeo, de Pedro Calderón de la Barca. Calderón es, muy probablemente, el escritor que más influyó en la obra dramática de Sor Juana Inés de la Cruz.Esta obra es una joya del barroco novohispano. Se publicó en 1689 para su puesta en escena en Madrid. Fue dedicada a la Condesa de Paredes de Nava y marquesa consorte de la Laguna."]