{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":16,"n_cols":5,"rows_kept":16,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[5,2,5,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[11,2,11,3],[13,2,13,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910989389003321"]
[null,null,"Autore",null,"Cámara Mario"]
[null,null,"Titolo",null,"El Archivo Como Gesto : Tres Recorridos en Torno a la Modernidad Brasileña"]
[null,null,"Pubbl/distr/stampa",null,"Buenos Aires : , : Prometeo Libros S. A., , 2021"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"9789878164984"]
[{"$nulls":4},"9878164985"]
[null,null,"Descrizione fisica",null,"1 online resource (158 pages)"]
[null,null,"Soggetti",null,"Brazilian literature"]
[{"$nulls":4},"Art and design"]
[null,null,"Lingua di pubblicazione",null,"Spagnolo"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Intro -- EntradaEl siglo largo -- IOmisiones -- Una nota sobre Marielle Franco -- Dispositivo y contraarchivo en Rosângela Rennó -- El rostro de los comunes -- Otros rostros para Brasilia -- Tatuajes, remolinos -- El rostro oculto del modernismo: Carandirú -- IIIncisiones -- El barroco, transgresión o control -- Primera incisión: antropofagia y catolicismo -- Adriana Varejão, ingreso al barroco -- Segunda incisión: Jean-Baptiste Debret -- Tercera incisión: anarchivizar Brasilia -- IIIAperturas -- El origen nunca se cierra -- Alterarchivos: orígenes inventados -- Apropiaciones y orígenes excéntricos -- Reenactments -- Koch-Grünberg y Mário de Andrade en Manaos,formas de percibir el caucho -- Cobra Norato, la selva resiste -- La Ópera, de Veronica Stigger -- SalidaNéstor Perlongher, yo mismo -- Agradecimientos -- Bibliografía."]
[null,null,null,"Sommario/riassunto","This book by Mario Cámara explores Brazilian modernity through the lens of archival practices. It delves into the arts, architecture, and literature of Brazil, analyzing works by significant figures such as Rosângela Rennó, Adriana Varejão, and Oscar Niemeyer. The book examines how these artistic expressions reflect and challenge the ideologies of the 20th century, particularly focusing on concepts of cultural integration and economic development. Additionally, it discusses the evolving role of archives in contemporary society, highlighting their use in revisiting and redefining historical narratives. The book is intended for scholars and readers interested in Brazilian "]
[{"$nulls":4},"culture, modern art, and archival studies, aiming to provoke a critical dialogue on the material and symbolic implications of archives."]