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[null,"1.","Record Nr.",null,"UNINA9910984638003321"]
[null,null,"Autore",null,"Iarocci Michael"]
[null,null,"Titolo",null,"The Art of Witnessing : Francisco de Goya's Disasters of War"]
[null,null,"Pubbl/distr/stampa",null,"Toronto : , : University of Toronto Press, , 2023"]
[{"$nulls":4},"©2022"]
[null,null,"ISBN",null,"9781487543808"]
[{"$nulls":4},"1487543808"]
[{"$nulls":4},"9781487543792"]
[{"$nulls":4},"1487543794"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (297 pages)"]
[null,null,"Collana",null,"Toronto Iberic"]
[null,null,"Classificazione",null,"cci1icc"]
[null,null,"Disciplina",null,"769.92"]
[null,null,"Soggetti",null,"War in art"]
[{"$nulls":4},"ART / History / Romanticism"]
[{"$nulls":4},"Criticism, interpretation, etc."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover -- Half-Title Page -- Title Page -- Copyright Page -- Dedication -- Contents -- Introduction: Viewing, Reading, Witnessing -- Beginnings -- Preface (1863): Image of an Artist -- 1 Tristes presentimientos de lo que ha de acontecer -- 2 Con razón o sin ella -- 3 Lo mismo -- 4 Las mujeres dan valor -- 5 Y son fieras -- 6 Bien te se está -- 7 Que valor! -- 8 Siempre sucede -- 9 No quieren -- 10 Tampoco -- 11 Ni por esas -- 12 Para eso habeis nacido -- 13 Amarga presencia -- 14 Duro es el paso! -- 15 Y no hay remedio -- 16 Se aprovechan -- 17 No se convienen -- 18 Enterrar y callar"]
[{"$nulls":4},"19 Ya no hay tiempo -- 20 Curarlos y a otra -- 21 Será lo mismo -- 22 Tanto y más -- 23 Lo mismo en otras partes -- 24 Aún podrán servir -- 25 Tambien estos -- 26 No se puede mirar -- 27 Caridad -- 28 Populacho -- 29 Lo merecía -- 30 Estragos de la guerra -- 31 Fuerte cosa es! -- 32 Por que? -- 33 Que hay que hacer más? -- 34 Por una navaja -- 35 No se puede saber por que -- 36 Tampoco -- 37 Esto es peor -- 38 Bárbaros! -- 39 Grande hazaña! Con muertos! -- 40 Algún partido saca -- 41 Escapan entre llamas -- 42 Todo va revuelto -- 43 Tambien esto -- 44 Yo lo vi -- 45 Y esto tambien"]
[{"$nulls":4},"46 Esto es malo -- 47 Así sucedió -- Afterword -- Notes -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","\"Widely acknowledged as a major turning point in the history of visual depictions of war, Francisco de Goya's renowned print series The Disasters of War remains a touchstone for serious engagement with the violence of war and the questions raised by its artistic representation. The Art of Witnessing provides a new account of Goya's print series by taking readers through the forty-seven prints he dedicated to the violence of war. Drawing on facets of Goya's artistry rarely considered together before, the book challenges the notion that documentary realism and historical testimony were his primary aims. Michael Iarocci argues that while the depiction of war's atrocities was central to Goya's project, the lasting power of the print series stems from the artist's complex moral and aesthetic meditations on the subject. Making novel contributions to longstanding debates about historical memory, testimony, and the representation of violence, The Art of Witnessing tells a new story, print by print, to highlight the ways in which Goya's masterpiece extends far beyond conventional understandings of visual testimony.\"--"]