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[null,"1.","Record Nr.",null,"UNINA990003327000403321"]
[null,null,"Autore",null,"Pange, Victor de <1923-1984>"]
[null,null,"Titolo",null,"Graham Greene / Victor de Pange ; pref. de Francois Mauriac"]
[null,null,"Pubbl/distr/stampa",null,"Paris : Editions Universitaires, 1958"]
[null,null,"Descrizione fisica",null,"124 p"]
[null,null,"Collana",null,"Classiques du XXe siecle ; 8"]
[null,null,"Disciplina",null,"730"]
[null,null,"Locazione",null,"DECLI"]
[null,null,"Collocazione",null,"730 PAN /1"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910481429403321"]
[null,null,"Autore",null,"Giorgio Francesco <1460-1540.>"]
[null,null,"Titolo",null,"Francisci Georgii Veneti minoritani In Scripturam Sacram problemata [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Venice, : [s.n.], 1536"]
[null,null,"Descrizione fisica",null,"Online resource ([4], 415, [1] c., 4º)"]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Reproduction of original in Biblioteca Nazionale Centrale di Firenze."]
[null,"3.","Record Nr.",null,"UNINA9910573808303321"]
[null,null,"Autore",null,"Poyer Lin"]
[null,null,"Titolo",null,"War at the Margins : Indigenous Experiences in World War II / / Lin Poyer"]
[null,null,"Pubbl/distr/stampa",null,"Honolulu : , : University of Hawai'i Press, , 2022"]
[null,null,"Descrizione fisica",null,"1 online resource (352 pages)"]
[null,null,"Disciplina",null,"306.08"]
[null,null,"Soggetti",null,"Indigenous peoples"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Empires, Nation-States, and Global War at the Margins -- Military Service, Citizenship, and Loyalties -- Combat in Indigenous Homelands -- War Far from Home: Serving Abroad -- Strangers in the Homeland -- Deploying the \"Primitive\": Images and Realities of Indigenous Soldiers -- \"Martial Myths\" and Native Realities -- Collateral Damages: Civilian Life in Wartime -- Working at War -- Building and Destroying the World through War -- Indigenous Status in the Postwar World -- Indigenous Veterans in Combatant Nations -- The Pasts and Futures of World War II for Indigenous Communities -- Beyond Nation-States."]
[null,null,null,"Sommario/riassunto","War at the Margins offers a broad comparative view of the impact of World War II on Indigenous societies. Using historical and ethnographic sources, Lin Poyer examines how Indigenous communities emerged from the trauma of the wartime era with social forms and cultural ideas that laid the foundations for their twenty-first century emergence as players on the world's political stage. With a focus on Indigenous voices and agency, a global overview reveals the enormous range of wartime activities and impacts on these groups, connecting this work with comparative history, Indigenous studies, and anthropology. The distinctiveness of Indigenous peoples offers a valuable perspective on World War II, as those on the margins of Allied and Axis empires and nation-states were drawn in as soldiers, scouts, guides, laborers, and victims. Questions of loyalty and citizenship shaped Indigenous combat roles-from integration in national armies to service in separate ethnic units to unofficial use of their special skills, where local knowledge tilted the balance in military outcomes. Front lines crossed Indigenous territory most consequentially in northern Europe, Southeast Asia, and the Pacific Islands, but the impacts of war go well beyond combat. Like "]
[{"$nulls":4},"others around the world, Indigenous civilian men and women suffered bombing and invasion, displacement, forced labor, military occupation, and economic and social disruption. Infrastructure construction and demand for key resources affected even areas far from front lines. World War II dissolved empires and laid the foundation for the postcolonial world. Indigenous people in newly independent nations struggled for autonomy, while other veterans returned to home fronts still steeped in racism. National governments saw military service as evidence that Indigenous peoples wished to assimilate, but wartime experiences confirmed many communities' commitment to their home cultures and opened new avenues for activism. By century's end, Indigenous Rights became an international political force, offering alternative visions of how the global order might make room for greater local self-determination and cultural diversity. In examining this transformative era, War at the Margins adds an important contribution to both World War II history and to the development of global Indigenous identity."]
[null,"4.","Record Nr.",null,"UNINA9910983302703321"]
[null,null,"Autore",null,"Aughterson Kate"]
[null,null,"Titolo",null,"Women Experimenting in Theatre : Early Modern to Contemporary / / edited by Kate Aughterson, Deborah Philips"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer Nature Switzerland : , : Imprint : Palgrave Macmillan, , 2025"]
[null,null,"ISBN",null,"9783031636899"]
[{"$nulls":4},"3031636899"]
[null,null,"Edizione",null,"[1st ed. 2025.]"]
[null,null,"Descrizione fisica",null,"1 online resource (374 pages)"]
[null,null,"Disciplina",null,"792.082"]
[null,null,"Soggetti",null,"Performing arts"]
[{"$nulls":4},"Theater"]
[{"$nulls":4},"Theater - History"]
[{"$nulls":4},"Playwriting"]
[{"$nulls":4},"Dramatists"]
[{"$nulls":4},"Theatre and Performance Arts"]
[{"$nulls":4},"Theatre History"]
[{"$nulls":4},"Contemporary Theatre and Performance"]
[{"$nulls":4},"Playwrights and Playwriting"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction Kate Aughterson and Deborah Philips -- Chapter 1. Stage (Im)Properties: Aphra Behn’s Radical Stagecraft, Kate Aughterson (University of Brighton) -- Chapter 2. Innovative Centilivre, Margarete Rubik (University of Vienna) -- Chapter 3. Elizabeth Inchbald’s Dramaturgy, Chelsea Philips (Villanova University) -- Chapter 4. ‘Dead, dead, and never called me Mother’ – East Lynne, melodrama and adaptation, Peter Blake (University of Brighton) -- Chapter 5. Women Playwright-Managers and the Independent Theatre Society in Fin-de-Siècle London, Renata Miller (City University of New York) -- Chapter 6. See it, be it, say it, play it: representations of militant activism and activists in suffrage theatre and entertainments, Naomi Paxton (Central School of Speech and Drama) -- Chapter 7. What was modernism’s problem with the theatre?, Helen Carr, (Goldsmiths) -- Chapter 8. 'You have produced a good deal of raw material from which you , and, or a group of actors may or may not produce a good play': Shelagh Delaney, Joan Littlewood and the Theatre Workshop production of A Taste of "]
[{"$nulls":4},"Honey, Deborah Philips (University of Brighton) -- Chapter 9. Freaks, Prophets, Witches: New Forms, Collaborations and Communions in Women’s Theatre 1969-1992, Susan Croft (Director, Unfinished Histories) -- Chapter 10. ‘My sister she wants - / Don’t tell me’: Desire, Negation, Interruption and Agency in Sarah Kane’s Work, Dr Nina Kane (University of Huddersfield) -- Chapter 11. Beyond Mimesis: Generic Crossings between Poetry and Drama in Plays by tucker green, Kay and Harris Elisabeth Bekers, Janine Hauthal & Jade Thomas (Vriejat Universitat Brussels) -- Chapter 12. Feminist revisions: reframing Greek tragedy in the work of Mnouchkine, Mitchell, Carson and Churchill, William Mcevoy (University of Sussex) -- Chapter 13. We Need To Talk About Essex Girls: Working Class Women and Twenty-First Century British Theatre, Katy Shaw (Northumbria University) -- Chapter 14. Decolonizing experimental theatre: Experiments in Living in the Work of Gurpreet Kaur Bhatti, Gabriele Griffin (University of Uppsala) -- Chapter 15. British stage design now: Womxn stage designers and experimentation, Rachel Hann (Northumbria University, Newcastle) -- Chapter 16. Feminist Provocations: Experiments with Failure in the Plays of Alice Birch and Ella Hickson, Hannah Greenstreet (Independent Theatre maker)."]
[null,null,null,"Sommario/riassunto","This collection of essays, covering a broad historical range, shows that women working in theatre and drama since the time of Aphra Behn have been engaged in pushing the boundaries of conventional representation and dramaturgical convention. Collectively the authors show that women have used performing spaces as a channel for both political and personal radicalism - one that has demanded and celebrated experimentalism as a kind of survival in a male dominated world. Kate Aughterson has written widely on women’s writing and early modern drama, including, editing The Luckey Chance (2021); Renaissance Woman (1995), The English Renaissance: An Anthology (1998); John Webster: The Plays (2000), Aphra Behn: The Comedies (2003), Shakespeare: The Late Plays (2013), with Katy Shaw, Jim Crace: Into the Wilderness (2017); with Ailsa Grant Ferguson, Shakespeare and Gender (2020) and with Deborah Philips, Women and Experimental Fiction: Early Modern to Contemporary; with Jess Moriarty, Socially Engaged Creative Practice (2024) and Performing Maternities (2024). Deborah Philips has written extensively on women's writing and cultural history. Her books include: And This is My Friend Sandy: Sandy Wilson's The Boy Friend, London Theatre and Gay Culture (2021), Fairground Attractions (2012), Writing Romance: Women's Fiction (2006/2014), The Trojan Horse (2013) with Garry Whannel and Brave New Causes (1998) with Ian Haywood. She is the co-editor, with Kate Aughterson of Women Writers and Experimental Narratives: Early Modern to Contemporary (Palgrave Macmillan, 2021)."]