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[null,"1.","Record Nr.",null,"UNISA996384207503316"]
[null,null,"Titolo",null,"A proclamation [[electronic resource] ] : for publishing the peace between His Majesty and the States General of the United Netherlands"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh, : Printed by His Majesties printers, 1674"]
[null,null,"Descrizione fisica",null,"1 sheet ([1] p.)"]
[null,null,"Soggetti",null,"Dutch War, 1672-1678 - Treaties"]
[{"$nulls":4},"Great Britain Politics and government 1660-1688 Sources"]
[{"$nulls":4},"Great Britain Foreign relations Netherlands Early works to 1800"]
[{"$nulls":4},"Netherlands Foreign relations England Early works to 1800"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Caption title."]
[{"$nulls":4},"Royal arms at head of text; initial letter."]
[{"$nulls":4},"Printed in black letter."]
[{"$nulls":4},"Dated at end: Given at Our Court at Whitehall, the twenty seventh day of February, one thousand six hundred and seventy four, and the six and twenty year of Our Reign."]
[{"$nulls":4},"Reproduction of the original in the National Library of Scotland."]
[null,null,null,"Sommario/riassunto","eebo-0097"]
[null,"2.","Record Nr.",null,"UNINA9910975260903321"]
[null,null,"Autore",null,"Smith Anne <1951->"]
[null,null,"Titolo",null,"The performance of 16th-century music : learning from the theorists / / by Anne Smith"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Oxford University Press, c2011"]
[null,null,"ISBN",null,"1-283-09814-8"]
[{"$nulls":4},"9786613098146"]
[{"$nulls":4},"0-19-979254-2"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (257 p.)"]
[null,null,"Disciplina",null,"781.4/309031"]
[null,null,"Soggetti",null,"Performance practice (Music) - History - 16th century"]
[{"$nulls":4},"Music - Performance - History - 16th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; About the Companion Web Site; Preface; Contents; 1. Introduction; 2. Part-Book versus Score Culture; 3. Solmization; 4. Metric Hierarchy, Articulation, and Rhythmic Flexibility; 5. Cadences; 6. Mode; 7. The Rhetoric of Counterpoint; 8. What Skills Were Expected of Professional Musicians?; 9. Score Culture; 10. Conclusion; Appendix: Modal Characteristics; Bibliography; Index"]
[null,null,null,"Sommario/riassunto","Most modern performers, trained on the performance practices of the Classical and Romantic periods, come to the music of the Renaissance with well-honed but anachronistic ideas. Fundamental differences between 16th-century repertoire and that of later epochs thus tend to be overlooked-yet it is just these differences which can make a performance truly stunning. The Performance of 16th-Century Music will enable the performer to better understand this music and advance their technical and expressive abilities. Early music specialist Anne Smith outlines several major areas of technical knowledge"]