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[null,"1.","Record Nr.",null,"UNINA9910974650303321"]
[null,null,"Autore",null,"Savage Steve"]
[null,null,"Titolo",null,"The art of digital audio recording : a practical guide for home and studio / / Steve Savage ; with photos by Robert Johnson and diagrams by Iain Fergusson"]
[null,null,"Pubbl/distr/stampa",null,"Oxford ; ; New York, : Oxford University Press, 2011"]
[null,null,"ISBN",null,"9786613136503"]
[{"$nulls":4},"0-19-991050-2"]
[{"$nulls":4},"1-283-13650-3"]
[{"$nulls":4},"0-19-987523-5"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"xii, 271 p. : ill. ; ; 29 cm"]
[null,null,"Disciplina",null,"621.3893"]
[null,null,"Soggetti",null,"Sound studios"]
[{"$nulls":4},"Sound - Recording and reproducing - Digital techniques"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover -- Contents -- Introduction -- 1 The Starting Point: Sound Meets the Computer -- 1.1 Why Computers -- 1.2 What Does It Sound Like? -- 1.3 Signal Path -- 2 The Essentials: Where and How Recordings Are Made -- 2.1 Recording Rooms and Control Rooms -- 2.2 Studio Monitors -- 2.3 Microphones and Mic Placement -- 2.4 Mixing Boards and Control Surfaces -- 2.5 EQ: General Information -- 2.6 Dynamics (Compressors and Noise Gates) -- 2.7 FX: Delays -- 2.8 FX: Reverb -- 2.9 Beyond Traditional DSP -- 3 Recording Sessions: A Practical Guide -- 3.1 Setup -- 3.2 Headphone Mixes -- 3.3 Survey of Recording Techniques for Instruments and Voice -- 3.4 Beyond -- 4 Editing: The New Frontier -- 4.1 Editing Features -- 4.2 Screen \"Real Estate -- 4.3 Virtual Tracks (Playlists) -- 4.4 Advanced Editing -- 5 Three Fundamentals: Techniques Every Recordist Needs to Know -- 5.1 Inserts/Plug-ins -- 5.2 Send and Return -- 5.3 Auto-switching (Auto-input) -- 6 Mixing: The Most Creative and the Most Challenging Stage -- 6.1 Mixing Requirements -- 6.2 Building a Mix -- 6.3 Automation and Recall -- 6.4 Mix Collaboration, Communication, and Delivery -- 7 Mastering: One Last Session -- 7.1 What, Why, How, and Where -- 8 Three Best Practices: Easy Ways to Raise the Level of Your Sessions -- 8.1 Session Flow -- 8.2 Talkback -- 8.3 Playback Volume -- Addendum 1 How to Walk into a Commercial Studio and Be the "]
[{"$nulls":4},"Engineer -- Addendum 2 Researching and Buying Gear: Internet vs. Brick and Mortar -- Appendix: Digital Audio Formats, Delivery, and Storage -- Online Glossary Link -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Z."]
[null,null,null,"Sommario/riassunto","Making high-quality professional recordings requires the right balance of technical know-how and practical understanding of recording sessions. Getting the best audio recording results often requires as much common sense and intuitiveness in technique as it does a deep understanding of the technical elements involved. In The Art of Digital Audio Recording, expert author Steve Savage synthesizes years of professional recording experience - including 7 Grammy-nominated records - and his teaching experience as instructor in recording techniques to equip professional readers with both the essential technical as well as practical knowledge they need to succeed."]