{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":37,"n_cols":5,"rows_kept":37,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[12,2,12,3],[13,2,13,3],[16,2,16,3],[16,4,16,5],[17,2,17,3],[17,4,17,5],[18,2,18,3],[18,4,18,5],[19,2,19,3],[22,2,22,3],[26,2,26,3],[27,2,27,3],[28,2,28,3],[29,2,29,3],[32,2,32,3],[33,2,33,3],[35,2,35,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISALENTO991003279379707536"]
[null,null,"Autore",null,"Stern, August"]
[null,null,"Titolo",null,"Quantum theoretic machines [e-book] : what is thought from the point of view of physics / August Stern"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; New York : Elsevier, 2000"]
[null,null,"ISBN",null,"9780444826183"]
[{"$nulls":4},"0444826181"]
[null,null,"Descrizione fisica",null,"xii, 588 p. : ill. ; 25 cm"]
[null,null,"Disciplina",null,"511.3"]
[null,null,"Soggetti",null,"Matrix logic"]
[{"$nulls":4},"Quantum theory"]
[{"$nulls":4},"Brain - Mathematical models"]
[{"$nulls":4},"Cognition - Mathematical models"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Risorsa elettronica"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 581-585)"]
[null,"2.","Record Nr.",null,"UNINA9910974158503321"]
[null,null,"Autore",null,"Crossley Nick <1968->"]
[null,null,"Titolo",null,"Connecting sounds : The social life of music / / Nick Crossley"]
[null,null,"Pubbl/distr/stampa",null,"Manchester : , : Manchester University Press, , 2019"]
[{"$nulls":4},"Baltimore, Md. : , : Project MUSE, , 2020"]
[{"$nulls":4},"©2019"]
[null,null,"ISBN",null,"9781526126047"]
[{"$nulls":4},"1526126044"]
[{"$nulls":4},"9781526126023"]
[{"$nulls":4},"1526126028"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (1 online resource.)"]
[null,null,"Disciplina",null,"780.07"]
[null,null,"Soggetti",null,"Music - Social aspects"]
[{"$nulls":4},"Music - Philosophy and aesthetics"]
[{"$nulls":4},"MUSIC / General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Front matter -- Dedication -- Contents -- List of figures and tables -- 1 Introduction -- 2 Music as social interaction -- 3 Economic interactions -- 4 Mainstream and beyond -- 5 Musicking networks -- 6 Semiotic interactions -- 7 Practical interactions -- 8 Division, inequality and taste -- 9 Political interactions -- Discography -- Bibliography -- Index"]
[null,null,null,"Sommario/riassunto","An original and compelling account of the social nature of music and its interplay with the wider society to which it belongs. Crossley explores the doing and meanings of music, as well as its interface with economic, political and wider social structures."]