{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":27,"n_cols":5,"rows_kept":27,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[19,2,19,3],[20,2,20,3],[24,2,24,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910973287003321"]
[null,null,"Autore",null,"Kroeber Karl <1926-2009.>"]
[null,null,"Titolo",null,"Make Believe in Film and Fiction : Visual vs. Verbal Storytelling / / by K. Kroeber"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2006"]
[null,null,"ISBN",null,"9786611369842"]
[{"$nulls":4},"9781281369840"]
[{"$nulls":4},"1281369845"]
[{"$nulls":4},"9781403983220"]
[{"$nulls":4},"1403983224"]
[null,null,"Edizione",null,"[1st ed. 2006.]"]
[null,null,"Descrizione fisica",null,"1 online resource (240 p.)"]
[null,null,"Disciplina",null,"791.43/6"]
[null,null,"Soggetti",null,"Motion pictures - History"]
[{"$nulls":4},"Literature"]
[{"$nulls":4},"Motion picture authorship"]
[{"$nulls":4},"Literature - Philosophy"]
[{"$nulls":4},"Film and TV History"]
[{"$nulls":4},"Screenwriting"]
[{"$nulls":4},"Literary Theory"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [213]-220) and index."]
[null,null,"Nota di contenuto",null,"Brutal Beginnings: Imagining Murder/ Watching Murder -- Moving Eyes, Moving Sculptures -- Inside and outside Somebody Else's Fantasy -- Make Believe Is Always a Story -- Single-Handed and Collective Make Believe -- Movies and Hyper-Visual Culture -- La Strada and the Conjecturing Imagination -- Madame Bovary: Linguistic Configurings of Imaginative Corruption -- Rashomon and Wuthering Heights -- Form in Visual Storytelling: Buster Keaton's The General -- Genre and Transforming Sources: High Noon Forenoon -- Seeing and Imagining Ethical Crises: High Noon: Afternoon -- Great Expectations: Insights from the Impossibility of Adaptation -- Magnifying Criminality: Fargo, Film Noir, and A Perfect World -- Innovative Lawfulness: Learning to Read."]
[null,null,null,"Sommario/riassunto","This study provides the first detailed contrast between the experiences of reading a novel and watching a movie. Kroeber shows how fiction "]
[{"$nulls":4},"evokes morally inflected imagining, and how movies reveal through magnification of human movements and expression subjective effects of complex social changes."]