{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":15,"n_cols":5,"rows_kept":15,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[10,2,10,3],[11,2,11,3],[13,2,13,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910973233203321"]
[null,null,"Autore",null,"Janet Catherine Berlo"]
[null,null,"Titolo",null,"Not Native American Art : Fakes, Replicas, and Invented Traditions"]
[null,null,"Pubbl/distr/stampa",null,"Seattle, : University of Washington Press, 2023"]
[null,null,"ISBN",null,"9780295751375"]
[{"$nulls":4},"0295751371"]
[null,null,"Disciplina",null,"704.03/97"]
[null,null,"Soggetti",null,"Art and society - United States"]
[{"$nulls":4},"Cultural property - United States"]
[{"$nulls":4},"Indian art - North America"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Introduction: Of \"Santa Fakes\" and Other Illusions -- Authenticity and Its Discontents: What Is \"Real\" Native American Art? -- Cultural Cross-Dressers: A Long History of Imitating Indians -- Replication and Reproduction on the Great Plains of Nostalgia -- The Deliberate Forgery, the Accidental Fake, the Visual Fiction, and the Replica -- Cross-Cultural Replication and Native Revitalization: Techniques of Remembering -- Conclusion: Vexed Identities and the \"Destruction of Mimicry\" in the Twenty-First Century."]
[null,null,null,"Sommario/riassunto","The faking of Native American art objects has proliferated as their commercial value has increased, but even a century ago experts were warning that the faking of objects ranging from catlinite pipes to Chumash sculpture was rampant. Through a series of historical and contemporary case studies, Janet Catherine Berlo engages with troubling and sometimes confusing categories of inauthenticity."]