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[null,"1.","Record Nr.",null,"UNINA9910813483503321"]
[null,null,"Autore",null,"Singh Jitendra"]
[null,null,"Titolo",null,"Data Structure simplified : implementation using C++ / / Jitendra Singh"]
[null,null,"Pubbl/distr/stampa",null,"Oxford, UK : , : Alpha Science International Ltd., , [2018]"]
[null,null,"ISBN",null,"1-78332-428-7"]
[null,null,"Descrizione fisica",null,"1 online resource (368 pages)"]
[null,null,"Disciplina",null,"001.642"]
[null,null,"Soggetti",null,"Computer programming"]
[{"$nulls":4},"Computer algorithms"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,"2.","Record Nr.",null,"UNINA9910973064803321"]
[null,null,"Autore",null,"O'Donnell Nicholas M."]
[null,null,"Titolo",null,"A tragic fate : law and ethics in the battle over Nazi-looted art / / Nicholas M. O'Donnell"]
[null,null,"Pubbl/distr/stampa",null,"Cleveland, : American Bar Association, 2021"]
[{"$nulls":4},"Chicago, Illinois : , : American Bar Association, , 2017"]
[{"$nulls":4},"©2017"]
[null,null,"ISBN",null,"1-63425-734-0"]
[null,null,"Edizione",null,"[;2017-09.]"]
[null,null,"Descrizione fisica",null,"1 online resource (350 pages)"]
[null,null,"Disciplina",null,"940.53/18144"]
[null,null,"Soggetti",null,"Art thefts"]
[{"$nulls":4},"Art thefts - Europe - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from eBook information screen.."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Part one. Art and culture in occupied Europe -- From there to here : legislated plunder in the Third Reich and the Allied response -- Part two. The new era -- The Washington Conference and its ethical parallels -- Portrait of Wally and the politics of seizure -- A new door opens : Maria Altmann and the portrait of Adele Bloch-Bauer -- Landscape with smokestacks and early trends -- The Max Stern estate -- Part three. Out of time? -- Bakalar and the defense of laches -- California legislative amendments and the legacy of Jacques Goudstikker -- The Museum of Fine Arts Boston, Oskar Reichel, and provenance research -- Prescriptive law in Louisiana -- The Nathan heirs, the Detroit Institute of Arts, and the Toledo Museum of Art -- The knives come out -- Part four. Back and forth -- Paul von Mendelssohn-Bartholdy -- Lâeone Meyer and the University of Oklahoma -- Legally present : a jurisdictional hook -- The Pissarro of Lily Cassirer -- Hungary and the Herzog Collection -- Commercial activity or sovereign act? -- Part five. The worst system in the world but all the rest -- Progress or broken promises? : restitution claims procedures among the signatories to the Washington Conference principles -- A tragic fate : conclusions and possibilities."]
[null,null,null,"Sommario/riassunto","The organized theft of fine art by Nazi Germany has captivated worldwide attention in the last twenty years. Newly found works of art pit survivors and their heirs against museums, foreign nations, and even their own family members. These stories endure because they "]
[{"$nulls":4},"speak to one of the core tragedies of the Nazi era: how a nation at the pinnacle of fine art and culture spawned a legalized culture of theft and plunder.  A Tragic Fate  is the first book to seriously address the legal and ethical rules that have dictated the results of restitution claims between competing claimants to the same works of art. It provides a history of Art and Culture in German-occupied Europe, an introduction to the most significant collections in Europe to be targeted by the Nazis, and a narrative of the efforts to reclaim looted artwork in the decades following the Holocaust through profiles of some of the art world's most famous and influential restitution cases. On the surface, this dispute is similar to many others, but digging deeper one finds a multilayered puzzle that embodies the competing narratives often at play in restitution cases: persecution, obfuscation, the murky environment of the art market after the war, and the basic tension between legal systems and who should bear the burden of resolving the competing claims. But digging deeper one finds a multilayered puzzle that embodies the competing narratives often at play in restitution cases: persecution, obfuscation, the murky environment of the art market after the war, and the basic tension between legal systems and who should bear the burden of resolving the competing claims. There is no simple, unifying principle to these debates of stolen art. When approached by the heirs of victims, many current possessors look for the right answer. Some are indifferent. Some see a more complicated story in which their own interests and public service are more important than what happened eighty years ago. Disputes not yet known or filed will be guided by the stories and cases that have already happened. The tactics of and choices made by the parties to such disputes many times reveal the heartbreaking struggles that began in the past and continue to affect the descendants of the original owners today.  A Tragic Fate: Law and Ethics in the Battle Over Nazi-Looted Art  represents those stories."]