{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":39,"n_cols":5,"rows_kept":39,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[3,4,3,5],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[10,2,10,3],[11,2,11,3],[15,2,15,3],[15,4,15,5],[16,2,16,3],[16,4,16,5],[17,2,17,3],[18,2,18,3],[22,2,22,3],[23,2,23,3],[24,2,24,3],[25,2,25,3],[26,2,26,3],[29,2,29,3],[30,2,30,3],[34,2,34,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISALENTO991002425349707536"]
[null,null,"Autore",null,"Università degli Studi di Bologna <Ravenna> : Istituto di antichita ravennati e bizantine"]
[null,null,"Titolo"]
[{"$nulls":4},"Corsi di cultura sull'arte ravennate e bizantina1971 : Ravenna, 21 marzo-3aprile 1971 / lezioni dei professori : Patrizia Angiolini Martinelli ... [et al.]."]
[null,null,"Pubbl/distr/stampa",null,"Ravenna : Longo, 1971"]
[null,null,"Descrizione fisica",null,"566 p. : ill. ; 25 cm."]
[null,null,"Disciplina",null,"709.2"]
[null,null,"Soggetti",null,"Arte - Ravenna - Saggi"]
[{"$nulls":4},"Arte bizantina - Saggi"]
[{"$nulls":4},"Arte paleocristiana - Saggi"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","In testa al front.: Universita degli studi di Bologna, Istituto di antichita ravennati e bizantine, Ravenna."]
[{"$nulls":4},"In cop.: 18. corso di cultura sull'arte ravennate e bizantina."]
[null,"2.","Record Nr.",null,"UNINA9910972972503321"]
[null,null,"Titolo",null,"Musical performance and the changing city : post-industrial contexts in Europe and the United States / / edited by Fabian Holt and Carsten Wergin"]
[null,null,"Pubbl/distr/stampa",null,"New York ; ; London : , : Routledge, , 2013"]
[null,null,"ISBN",null,"9781136157820"]
[{"$nulls":4},"1136157824"]
[{"$nulls":4},"9780203078921"]
[{"$nulls":4},"0203078926"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (324 p.)"]
[null,null,"Collana",null,"Routledge Research in Music ; ; 4"]
[null,null,"Disciplina",null,"306.4/8424"]
[null,null,"Soggetti",null,"Popular music - Social aspects - Europe"]
[{"$nulls":4},"Popular music - Social aspects - United States"]
[{"$nulls":4},"Popular music - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references at the end of each chapters and index."]
[null,null,"Nota di contenuto",null,"\"\"Front Cover\"\"; \"\"Musical Performance and the Changing City\"\"; \"\"Copyright Page\"\"; \"\"Contents\"\"; \"\"List of Figures\"\"; \"\"List of Tables\"\"; \"\"Preface\"\"; \"\"Introduction: Musical Performance and the Changing City\"\"; \"\"Part I: Placemaking\"\"; \"\"1. â€œFrom the Big Dig to the Big Gigâ€?: Live Music, Urban Regeneration, and Social Change in the European Capital of Culture 2008\"\"; \"\"2. Sounding Austin: Live Music, Race, and the Selling of a City\"\"; \"\"3. Sounding Out the Cuban Diaspora in Barcelona: Music, Migration and the Urban Experience\"\""]
[{"$nulls":4},"\"\"4. Destination â€œThree Days Awakeâ€?: Cultural Urbanism at a Popular Music Festival Outside the City\"\"\"\"Part II: Scenes and Venues\"\"; \"\"5. Digital Underground: Musical Spaces and Microscenes in the Postindustrial City\"\"; \"\"6. The Advent of Rock Clubs for the Gentry: Berlin, Copenhagen, and New York\"\"; \"\"7. Collectivities and Mixed-Mediations in Amsterdamâ€?s Translocal Jazz Scene\"\"; \"\"8. The Quality of Mutuality: Jazz Musicians in the Athenian Popular Music Industry\"\"; \"\"Part III: Nightlife\"\"; \"\"9. Crowd Solidarity on the Dance Floor in Paris and Berlin\"\""]
[{"$nulls":4},"\"\"10. The Sound Culture of Dubstep in London\"\"\"\"11. The Networking Logic of the Postindustrial Music Milieu: A City of London Ethnographic "]
[{"$nulls":4},"Moment\"\"; \"\"Contributors\"\"; \"\"Index\"\""]
[null,null,null,"Sommario/riassunto","A contribution to the field of urban music studies, this book presents new interdisciplinary approaches to the study of music in urban social life. It takes musical performance as its key focus, exploring how and why different kinds of performance are evolving in contemporary cities in the interaction among social groups, commercial entrepreneurs, and institutions. From conventional concerts in rock clubs to new genres such as the flash mob, the forms and meanings of musical performance are deeply affected by urban social change and at the same time respond to the changing conditions. Music has taken on complex roles in the post-industrial city where culture and cultural consumption have an unprecedented power in defining publics, policies, and marketing strategies. Further, changes in real estate markets and the penetration of new media have challenged even fairly modern music cultures. At the same time, new music cultures have emerged, and music has become a driver for cultural events and festivals, channeling the dynamics of a society characterized by the social change, media intensity, and the neoliberal forces of post-industrial urban contexts. The volume brings together scholars from a broad range of disciplines to build a shared understanding of post-industrial contexts in Europe and the United States. Most directly grounded in contemporary developments in music studies and urban studies, its broad interdisciplinary range serves to strengthen the relevance of urban music studies to fields such as anthropology, sociology, urban geography, and beyond. Offering in-depth studies of changing music culture in concert venues, cultural events, and neighborhoods, contributors visit diverse locations such as Barcelona, Berlin, London, New York, and Austin."]