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[null,"1.","Record Nr.",null,"UNINA9910153129303321"]
[null,null,"Autore",null,"Doyle Brian <1956 November 6->"]
[null,null,"Titolo",null,"The kind of brave you wanted to be : prose prayers and cheerful chants against the dark / / Brian Doyle"]
[null,null,"Pubbl/distr/stampa",null,"Collegeville, Minnesota : , : Liturgical Press, , 2016"]
[{"$nulls":4},"©2016"]
[null,null,"ISBN",null,"0-8146-4675-1"]
[null,null,"Descrizione fisica",null,"1 online resource (102 pages)"]
[null,null,"Classificazione",null,"REL013000POE003000POE005010"]
[null,null,"Disciplina",null,"811.54"]
[null,null,"Soggetti",null,"Christian poetry"]
[{"$nulls":4},"Christian poetry, American"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","\"Proems, taut tales, small stories with rhythm and blues and grace and bruise and laughter between the lines. Brian Doyle's The Kind of Brave You Wanted to Be is a book of cadenced notes on the swirl of miracle and the holy of attentiveness; a book about children and birds, love and grief and everything alive, which is to say all prayers.  Brian Doyle's uncategorizable form is the brief story dressed like a poem but with the loose lyricism and verve of an essay. Here are chants and litanies, like gentle songs to the sacrament of every moment\"--"]
[null,"2.","Record Nr.",null,"UNIORUON00229417"]
[null,null,"Autore",null,"GIRAUD, Jean"]
[null,null,"Titolo",null,"Educazione comparata / Jean Giraud"]
[null,null,"Pubbl/distr/stampa",null,"Torino, : Loescher, 1968"]
[null,null,"Descrizione fisica",null,"XIV, 250 p. ; 19 cm."]
[null,null,"Disciplina",null,"371"]
[null,null,"Soggetti",null,"EDUCAZIONE COMPARATA"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910972289203321"]
[null,null,"Autore",null,"Nye David E. <1946->"]
[null,null,"Titolo",null,"American illuminations : urban lighting, 1800-1920 / / David E. Nye"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, Massachusetts : , : The MIT Press, , [2018]"]
[null,null,"ISBN",null,"0-262-34478-5"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (x, 280 pages) : illustrations"]
[null,null,"Collana",null,"MIT Press scholarship online"]
[null,null,"Disciplina",null,"388.3/12"]
[null,null,"Soggetti",null,"Street lighting - Social aspects - United States - History - 19th century"]
[{"$nulls":4},"Street lighting - Social aspects - United States - History - 20th century"]
[{"$nulls":4},"City and town life - United States - History - 19th century"]
[{"$nulls":4},"City and town life - United States - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Previously issued in print: 2018."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Illuminations -- Energy transitions -- The United States and Europe -- Moonlight towers -- Spectacles and expositions -- Commercial landscape -- City beautiful -- Light as a political spectacle -- Mutliple blindings."]
[null,null,null,"Sommario/riassunto","How Americans adapted European royal illuminations for patriotic celebrations, spectacular expositions, and intensely bright commercial lighting to create the world's most dazzling and glamorous cities.Illuminated ftes and civic celebrations began in Renaissance Italy and spread through the courts of Europe. Their fireworks, torches, lamps, and special effects glorified the monarch, marked the birth of a prince, or celebrated military victory. Nineteenth-century Americans rejected such monarchial pomp and adapted spectacular lighting to their democratic, commercial culture. InAmerican Illuminations,David Nye explains how they experimented with gas and electric light to create illuminated cityscapes far brighter and more dynamic than those of Europe, and how these illuminations became symbols of modernity and the conquest of nature.Americans used gaslight and electricity in parades, expositions, advertising, elections, and political spectacles. In the 1880s, cities erected powerful arc lights on towers to create artificial moonlight. By the 1890s they adopted more intensive, commercial lighting that defined distinct zones of light and glamorized the city's White Ways, skyscrapers, bridges, department stores, theaters, and dance halls. Poor and blighted areas disappeared into the shadows. American illuminations also became integral parts of national "]
[{"$nulls":4},"political campaigns, presidential inaugurations, and victory celebrations after the Spanish-American War and World War I."]