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[null,"1.","Record Nr.",null,"UNINA9910972155903321"]
[null,null,"Autore",null,"Jones Timothy, Dr."]
[null,null,"Titolo",null,"Beethoven, the Moonlight and other sonatas, op. 27 and op. 31 / / Timothy Jones"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge, UK ; ; New York, : Cambridge University Press, 1999"]
[null,null,"ISBN",null,"9780511091490"]
[{"$nulls":4},"0511091494"]
[{"$nulls":4},"9781107114258"]
[{"$nulls":4},"110711425X"]
[{"$nulls":4},"9780511002885"]
[{"$nulls":4},"0511002882"]
[{"$nulls":4},"9781280429231"]
[{"$nulls":4},"1280429232"]
[{"$nulls":4},"9780511171956"]
[{"$nulls":4},"0511171951"]
[{"$nulls":4},"9780511149580"]
[{"$nulls":4},"0511149581"]
[{"$nulls":4},"9780511309731"]
[{"$nulls":4},"0511309732"]
[{"$nulls":4},"9780511605673"]
[{"$nulls":4},"0511605676"]
[{"$nulls":4},"9780511054242"]
[{"$nulls":4},"0511054246"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xii, 146 pages) : digital, PDF file(s)"]
[null,null,"Collana",null,"Cambridge music handbooks"]
[null,null,"Disciplina",null,"786.2/183"]
[null,null,"Soggetti",null,"Sonatas (Piano) - Analysis, appreciation"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. ) and index."]
[null,null,"Nota di contenuto",null,"Preliminaries; Contents; Preface; Acknowledgements; 1 Keyboard culture; 2 Beethoven in 1800 -1802; 3 Composition and reception; 4 Quasi una fantasia?; 5 The design of the Op. 27 sonatas; 6 The design of the Op. 31 sonatas; Notes; Select bibliography; Index"]
[null,null,null,"Sommario/riassunto","Even in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at "]
[{"$nulls":4},"pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata."]