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[null,"1.","Record Nr.",null,"UNINA9910739461303321"]
[null,null,"Autore",null,"Sgueo Gianluca"]
[null,null,"Titolo",null,"The Design of Digital Democracy / / by Gianluca Sgueo"]
[null,null,"Pubbl/distr/stampa",null,"Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2023"]
[null,null,"ISBN",null,"3-031-36946-7"]
[null,null,"Edizione",null,"[1st ed. 2023.]"]
[null,null,"Descrizione fisica",null,"1 online resource (XII, 128 p.)"]
[null,null,"Collana",null,"Springer Textbooks in Law, , 2510-0009"]
[null,null,"Disciplina",null,"321.8"]
[null,null,"Soggetti",null,"Public law"]
[{"$nulls":4},"Political planning"]
[{"$nulls":4},"Digital media"]
[{"$nulls":4},"Public Law"]
[{"$nulls":4},"Public Policy"]
[{"$nulls":4},"Digital and New Media"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Chapter 1. Introductory remarks. When did we start caring about digital aesthetics? -- Chapter 2. The Aesthetics of Consumer Tech -- Chapter 3. Digital aesthetics in the public sphere -- Chapter 4. The digital undemocratic: dazzling expectations vs disappointing outcomes -- Chapter 5. Re-conceptualizing the aesthetics of digital democracy."]
[null,null,null,"Sommario/riassunto","Ever-stronger ties between technology, entertainment and design are transforming our relationship with democratic decision-making. When we are online, or when we use digital products and services, we tend to focus more on certain factors like speed of service and user-friendliness, and to overlook the costs – both for ourselves and others. As a result, a widening gap separates our expectations of everything related to digitalization – including government – and the actual practice of democratic governance. Democratic regulators, unable to meet citizens’ demands for tangible, fast and gratifying returns, are seeing the poorest results ever recorded in terms of interest, engagement and retention, despite using the most cutting-edge technologies. This book explores various aspects of the relationship between democracy, technology and entertainment. These include, on the one hand, the role that digital technology has in strengthening our collective intelligence, nurturing empathicrelations between citizens and democratic institutions, and supporting processes of political aggregation, deliberation and collaboration. On the other hand, they "]
[{"$nulls":4},"comprise the challenges accompanying digital technology for representation, transparency and inclusivity in democratic decision-making. The book’s main argument is that digital democratic spaces should be redesigned to narrow the gap between the expectations and outcomes of democratic decision-making. It suggests abandoning the notion of digital participatory rights as being fast and easy to enjoy. It also refutes the notion that digital democratic decision-making can only be effective when it delivers rapid and successful responses to the issues of the day, regardless of their complexity."]
[null,"2.","Record Nr.",null,"UNINA9910971138403321"]
[null,null,"Autore",null,"Leimberg Inge"]
[null,null,"Titolo",null,"\"What may words say ...?\" : a reading of The merchant of Venice / / Inge Leimberg"]
[null,null,"Pubbl/distr/stampa",null,"Madison, N.J., : Fairleigh Dickinson University Press"]
[{"$nulls":4},"Lanham, Md., : Co-published with Rowman & Littlefield Pub. Group, c2011"]
[null,null,"ISBN",null,"1-68393-914-X"]
[{"$nulls":4},"1-61147-001-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (294 p.)"]
[null,null,"Disciplina",null,"822.3/3"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"\"\"WHAT MAY WORDS SAY...?\"\"; Contents; Preface; Beginning to read; 1. \"\"What do you call the play?\"\"; 2. \"\"Good sentences . . .\"\"; Act 1: The Merchant and the Maxims; Scene 1. \"\"otherwise friendship would bee a meere merchandise . . .\"\"; 1-7 Know thyself; 8-68 \"\"I know Antonio / Is sad . . .\"\"; 69-112 \"\"A stage, where every man must play a part . . .\"\"; 113-160 \"\"Then do but say to me what I should do . . .\"\"; 161-185 \"\"To have it of my trust . . .\"\"; Scene 2. \"\"choose you this day whom you will serve\"\"; 1-9 Nothing too much; 10-97 A conversational chain of themes; \"\"to be seated in the mean\"\""]
[{"$nulls":4},"\"\"what were good to do\"\"\"\"O me the word 'choose'!\"\"; 32-98 Interlude: \"\"these princely suitors\"\"; 99-128 \"\"the will of a living daughter curb'd by the will of a dead father\"\"; \"\"How to choose right . . .\"\"; \"\"my father's will\"\"; Scene 3. \"\"Be not thou one . . . of those who are sureties for debts\"\"; \"\"Enter Bassanio with Shylock the Jew\"\" Harme is at hande; 1 \"\"three thousand ducats\"\"; a. The number three; b. The number 3000; c. Ducat, the coin and the word; 1-9 \"\"Antonio shall become bound, well\"\"; 11-34 \"\"he is sufficient\"\"; 35-47 \"\"possessed with murd'rous hate\"\""]
[{"$nulls":4},"47-65 \"\"I do never use it\"\"66-97 \"\"I make it breed as fast\"\"; 59 \"\"the breach of custom is breach of all\"\"; 98-138 The Golden Rule; 138-175 \"\"How feel you yourself my friend? . . .\"\"; 176-177 \"\"And forgive us our debts . . .\"\"; Act 2: Departure; Scene 1. \"\"what braggardism is this?\"\"; Scene 2. \"\"Give him a livery\"\"; 1-30 \"\"An enemy may chance to give good counsel\"\"; 31-35 \"\"this is my true-begotten father\"\"; 36-95 \"\"it is "]
[{"$nulls":4},"a wise father that knows his own child\"\"; 95-148 \"\"I have brought him a present\"\"; 149-160 \"\"Such beginning, such end\"\"; 161-197 Epilogue: \"\"Something too liberal\"\""]
[{"$nulls":4},"Scene 3. \"\"Farewell good Launcelot\"\"Scene 3. (continued). \"\"We paint the devil foul . . .\"\"; Scene 4. \"\"Will you prepare you for this masque to-night?\"\"; Scene 5. \"\"Lock up my doors . . .\"\"; Scene 6. \"\"No masque tonight . . .\"\"; 1-21 \"\"Haste makes waste\"\"; 22-25 \"\"Here dwells my father Jew\"\"; 26-32 \"\"Who are you?\"\"; 33-50 \"\"catch this casket\"\"; 51-59 \"\"wise, fair, and true\"\"; 60-68 \"\"the wind is come about\"\"; Scene 7. \"\"I stand for sacrifice\"\"; Scene 8. \"\"by some nuntius to recount the things\"\"; Scene 9. \"\"Hanging and wiving goes by destiny\"\""]
[{"$nulls":4},"1-84 \"\"I will use them according to their desert\"\"85-101 \"\"he bringeth sensible regreets\"\"; Act 3: The Choice; Scene 1. \"\"if you wrong us shall we not revenge?\"\"; 1-66 \"\"The villainy you teach me I will execute\"\"; 67-120 \"\"thou torturest me Tubal\"\"; Scene 2. \"\"If you do love me, you will find me out\"\"; 1-24 \"\"I pray you tarry\"\"; 24-38 \"\"Promise me life . . .\"\"; 39-41 \"\"Suit the action to the word\"\"; 42-53 \"\"Let music sound . . .\"\"; 53-62 \"\"while he doth make his choice\"\"; 63-72 \"\"Tell me where is fancy bred?\"\"; 73 \"\"So may the outward shows be least themselves\"\""]
[null,null,null,"Sommario/riassunto","'What may words say_?' contains a comprehensive and in many respects unconventional interpretation of The Merchant of Venice. The play's development of ideas is unfolded in a literary analysis that focuses on the poet's words in their philological, historical, and philosophical contexts."]