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[null,"1.","Record Nr.",null,"UNINA9910457954303321"]
[null,null,"Titolo",null,"The Routledge handbook of discourse analysis [[electronic resource] /] / edited by James Paul Gee and Michael Handford"]
[null,null,"Pubbl/distr/stampa",null,"London ; ; New York, : Routledge, 2012"]
[null,null,"ISBN",null,"1-136-67292-3"]
[{"$nulls":4},"0-203-80906-8"]
[null,null,"Descrizione fisica",null,"1 online resource (709 p.)"]
[null,null,"Collana",null,"Routledge handbooks in applied linguistics"]
[null,null,"Disciplina",null,"401.41"]
[{"$nulls":4},"401/.41"]
[null,null,"Soggetti",null,"Discourse analysis"]
[{"$nulls":4},"Linguistics"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"The Routledge Handbook of Discourse Analysis; Copyright; Contents; List of illustrations; Acknowledgments; List of contributors; Introduction; PART I Approaches to discourse analysis; 1 Critical discourse analysis; 2 Systemic functional linguistics; 3 Multimodal discourse analysis; 4 Narrative analysis; 5 Mediated discourse analysis; 6 Multimedia and discourse analysis; 7 Gender and discourse analysis; 8 Discursive psychology and discourse analysis; 9 Conversation analysis; 10 Interactional sociolinguistics and discourse analysis; 11 Discourse-oriented ethnography"]
[{"$nulls":4},"12 Discourse analysis and linguistic anthropology13 Corpus-based discourse analysis; PART IIRegister and genre; 14 Register and discourse analysis; 15 Genre in the Sydney school; 16 Genre as social action; 17 Professional written genres; 18 Spoken professional genres; PART IIIDevelopments in spoken discourse; 19 Prosody in discourse; 20 Lexis in spoken discourse; 21 Emergent grammar; 22 Creativity in speech; 23 Spoken narrative; 24 Metaphor in spoken discourse; 25 From thoughts to sounds; PART IVEducational applications; 26 Discourse and \"the New Literacy Studies\""]
[{"$nulls":4},"27 Ethnography and classroom discourse28 Education and bilingualism; 29 English for academic purposes and discourse analysis; PART VInstitutional applications; 30 Advertising and discourse analysis; 31 Media and discourse analysis; 32 Asian business discourse(s); 33 "]
[{"$nulls":4},"Discourse and healthcare; 34 Discourses in the language of the law; 35 Ethnicity and humour in the workplace; 36 Discourse, gender and professional communication; PART VIIdentity, culture and discourse; 37 Politics as usual: investigating political discourse in action; 38 Discourse geography"]
[{"$nulls":4},"39 Queer linguistics, sexuality, and discourse analysis40 Intercultural communication; 41 Discourse and knowledge; 42 Narrative, cognition, and rationality; 43 Discourse and power; 44 Literary discourse; 45 A multicultural approach to discourse studies; 46 World Englishes and/or English as a lingua franca; Index"]
[null,null,null,"Sommario/riassunto","The Routledge Handbook of Discourse Analysis covers the major approaches to Discourse Analysis from Critical Discourse Analysis to Multimodal Discourse Analysis and their applications in key educational and institutional settings. The handbook is divided into six sections: Approaches to Discourse Analysis, Register and Genre, Developments in Spoken Discourse, Educational Applications, Institutional Applications and Identity, Culture and Discourse.The chapters are written by a wide range of contributors from around the world, each a leading researcher in their respective fiel"]
[null,"2.","Record Nr.",null,"UNINA9910782625603321"]
[null,null,"Autore",null,"Bradley Patricia <1941->"]
[null,null,"Titolo",null,"Mass Media and the Shaping of American Feminism, 1963-1975 [[electronic resource]]"]
[null,null,"Pubbl/distr/stampa",null,"Jackson, : University Press of Mississippi, 2004"]
[null,null,"ISBN",null,"1-282-91721-8"]
[{"$nulls":4},"9786612917219"]
[{"$nulls":4},"1-60473-051-X"]
[null,null,"Descrizione fisica",null,"1 online resource (341 p.)"]
[null,null,"Disciplina",null,"070.4"]
[{"$nulls":4},"070.4/4930542"]
[{"$nulls":4},"070.44930542"]
[null,null,"Soggetti",null,"Feminism and mass media"]
[{"$nulls":4},"Journalism & Communications"]
[{"$nulls":4},"Communication & Mass Media"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Contents; List of Abbreviations; Introduction; 1. The Legacy of The Feminine Mystique; 2. Marching for the Media: NOW and Media Activism; 3. The Left at Center; 4. The Practice of the Craft; 5. August 1970; 6. Media and Mitigation: Soothing Sexual Angst; 7. Gloria Steinem; 8. Ms.and the Success of Liberal Feminism; 9. Efforts to Reform the Media: Print; 10. Reform Redux: Broadcast; 11. Rise of the Opposition; Conclusion: A Moment of Triumph; Works Cited; Index"]
[null,null,null,"Sommario/riassunto","Beginning in 1963 with the publication of Betty Friedan's The Feminine Mystique and reaching a high pitch ten years later with the televised mega-event of the \"\"Battle of the Sexes\"\"-the tennis match between Billie Jean King and Bobby Riggs-the mass media were intimately involved with both the distribution and the understanding of the feminist message. This mass media promotion of the feminist profile, however, proved to be a double-edged sword, according to Patricia Bradley, author of Mass Media and the Shaping of American Feminism, 1963-1975. Although millions of women learned about feminism"]
[null,"3.","Record Nr.",null,"UNINA9910970686503321"]
[null,null,"Autore",null,"Wolf Peter J"]
[null,null,"Titolo",null,"Graphic design, translated : a visual dictionary of terms for global design = Le langage du graphisme = Grafik design übersetzt = Il linguaggio della grafica = El lenguaje del diseño gráfico / / Peter J. Wolf"]
[null,null,"Pubbl/distr/stampa",null,"Beverly, Mass., : Rockport Publishers, 2011"]
[null,null,"ISBN",null,"9781616738808"]
[{"$nulls":4},"1616738804"]
[null,null,"Edizione",null,"[1st edition]"]
[null,null,"Descrizione fisica",null,"1 online resource (432 p.)"]
[null,null,"Disciplina",null,"741.603"]
[null,null,"Soggetti",null,"Graphic arts - Polyglot"]
[{"$nulls":4},"Printing - Polyglot"]
[{"$nulls":4},"Dictionaries, Polyglot"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and indexes."]
[null,null,"Nota di contenuto",null,"Cover -- Title -- Table of Contents -- Introduction -- How To Use This Book -- Pronunciation Guide -- Languages Table of Contents -- English Terms -- A -- ACCORDION FOLD -- ALIASING, ANTI-ALIASING -- ALIGNMENT -- ALL CAPS -- ANALOGOUS COLORS -- ANIMATION -- APOSTROPHE -- AQUEOUS COATING -- ART DECO -- ART NOUVEAU -- ARTS AND CRAFTS -- ASCENDER -- ASYMMETRY -- B -- BACK MATTER -- BALANCE -- BARREL FOLD -- BASELINE -- BAUHAUS -- BÉZIER CURVE -- BINDING -- BITMAP -- BLACKLETTER -- BLEED -- BODY COPY -- BOLD/BOLDFACE -- BORDER -- BRANDING -- BRIGHTNESS -- BULLET -- C -- CALIPER -- CALLIGRAPHY -- CALLOUT -- CAP HEIGHT -- CAPTION -- CASE BINDING -- CENTERED TYPE/TEXT -- CHANNELS -- CHROMA -- CLIP ART -- CMYK -- COATED PAPER -- COLLAGE -- COLOR -- COLOR CORRECTION -- COLOR-MATCHING SYSTEM -- COLOR MODEL -- COLOR PALETTE -- COLOR SPACE -- COLOR WHEEL -- COLUMN -- COMPLEMENTARY COLORS -- COMPOSITE -- COMPOSITION -- CONDENSED TYPE -- CONSTRUCTIVISM -- CONTRAST -- COPYFITTING -- COUNTER -- CROP -- CUBISM -- D -- DADA -- DE STIJL -- DEBOSS -- DESCENDER -- DIE CUT -- DINGBATS -- DISPLAY TYPE -- DITHER -- DROP CAPITAL/CAP -- DUOTONE -- E -- EGYPTIAN -- ELLIPSIS -- EM -- EM DASH -- EM SPACE -- EMBOSS -- EN -- EN DASH -- EN SPACE -- END MATTER -- EXPERT SET -- EYE FLOW -- F -- FACING PAGES -- FIGURE-GROUND -- FLUSH-"]
[{"$nulls":4},"LEFT/FLUSH-RIGHT -- FOCAL POINT -- FOIL STAMPING -- FONT -- FOR POSITION ONLY (FPO) -- FORM-COUNTERFORM -- FOUR-COLOR PROCESS -- FRONT MATTER -- FUTURISM -- G -- GALLEY PROOF -- GRADIENT -- GRAYSCALE -- GREEKING -- GRID -- GUTTER -- H -- H&amp -- J -- HALFTONE -- HANGING PUNCTUATION -- HEADING -- HEADLINE -- HIERARCHY -- HUE -- HYPHEN -- HYPHENATION -- I -- ICON -- IDENTITY -- IMPOSITION -- INDENT -- INITIAL CAPITAL/CAP -- INTERACTION DESIGN -- ITALIC -- J -- JUSTIFIED TYPE/TEXT -- K -- KERNING -- KISS DIE CUT -- L -- LASER CUT -- LAYER -- LAYOUT."]
[{"$nulls":4},"LEADING -- LEGIBILITY -- LETTER SPACING -- LETTERFORM -- LETTERPRESS -- LIGATURE -- LINE -- LINE BREAK -- LINE LENGTH -- LINING NUMERALS/FIGURES -- LITHOGRAPHY -- LOGO -- LOREM IPSUM -- M -- MAKEREADY -- MARGIN -- MASTER PAGE -- MEAN LINE -- MEASURE -- METAPHOR -- MODERNISM -- MOIRÉ -- MONOCHROMATIC -- MONOSPACED -- MONTAGE -- MULTIMEDIA -- N -- NEGATIVE SPACE -- O -- OBLIQUE -- OFFSET LITHOGRAPHY -- OLD-STYLE NUMERALS/FIGURES -- OPTICAL ALIGNMENT -- ORPHAN -- OUTLINE TYPE -- OVERPRINTING -- P -- PACKAGING DESIGN -- PAGINATION -- PANTONE MATCHING SYSTEM (PMS) -- PAPER SIZES -- PATH -- PERFECT BINDING -- PHOTOMONTAGE -- PICA -- PICTOGRAM -- PIXEL -- POINT/POINT SIZE -- POSITIVE SPACE -- POSTERIZATION -- POST-MODERNISM -- PRIMARY COLORS -- PROCESS COLORS -- PROOF -- PROPORTIONAL -- PULL QUOTE -- Q -- QUOTATION MARKS -- R -- RAG -- RASTER GRAPHICS -- READABILITY -- REAM -- RECTO/VERSO -- REGISTRATION -- RESOLUTION -- REVERSE/REVERSE OUT -- RGB -- RHYTHM -- RIVERS -- ROMAN TYPE -- RULE -- S -- SADDLE-STITCH BINDING -- SANS SERIF -- SATURATION -- SCALE -- SCREEN PRINTING -- SCRIPT TYPE -- SECONDARY COLORS -- SERIF -- SHEET SIZES -- SIGNATURE -- SMALL CAPITALS/CAPS -- SPREAD -- STANDING CAPITAL/CAP -- STOCK PHOTOGRAPHY/IMAGES -- SUBHEAD -- SUBSCRIPT -- SUPERSCRIPT -- SURREALISM -- SWASH CHARACTERS -- SYMBOL -- SYMMETRY -- T -- TERTIARY COLORS -- TEXT WRAPPING -- TEXTURE -- THUMBNAIL -- TINT -- TRACKING -- TRAPPING -- TRITONE -- TYPE -- TYPE CLASSIFICATION -- TYPE FAMILY -- TYPEFACE -- TYPESETTING -- TYPOGRAPHY -- U -- ULTRAVIOLET COATING -- V -- VALUE -- VARNISH -- VECTOR GRAPHIC -- VERSO -- VICTORIAN -- VISUAL ALIGNMENT -- W -- WHITE SPACE -- WIDOW -- X -- X-HEIGHT -- French terms -- German terms -- Italian terms -- Spanish terms -- Index of terms -- English -- Français -- Deutsch -- Italiano -- Español -- About the Author."]
[null,null,null,"Sommario/riassunto","For centuries now, visual communication design has celebrated national identities (through the now-iconic identity systems developed for the Olympic Games, for example) at the same time as it transcends international borders, such as through the far-reaching influence of the Bauhaus and the International Typographic Style."]