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[null,"1.","Record Nr.",null,"UNINA9910969636603321"]
[null,null,"Autore",null,"Lavin Sylvia"]
[null,null,"Titolo",null,"Kissing architecture / / Sylvia Lavin"]
[null,null,"Pubbl/distr/stampa",null,"Princeton : , : Princeton University Press, , [2011]"]
[null,null,"ISBN",null,"9786613051783"]
[{"$nulls":4},"9780300269505"]
[{"$nulls":4},"0300269501"]
[{"$nulls":4},"9781283051781"]
[{"$nulls":4},"1283051788"]
[{"$nulls":4},"9781400838387"]
[{"$nulls":4},"140083838X"]
[null,null,"Edizione",null,"[Course Book]"]
[null,null,"Descrizione fisica",null,"1 online resource (134 p.)"]
[null,null,"Collana",null,"Point"]
[null,null,"Disciplina",null,"724/.7"]
[null,null,"Soggetti",null,"Art and architecture - History - 21st century"]
[{"$nulls":4},"Art and architecture"]
[{"$nulls":4},"History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (pages 115-120)."]
[null,null,"Nota di contenuto",null,"The First Kiss -- Confounding Mediums -- Superarchitecture -- Current Kisses."]
[null,null,null,"Sommario/riassunto","\"Kissing Architecture explores the mutual attraction between architecture and other forms of contemporary art. In this fresh, insightful, and beautifully illustrated book, renowned architectural critic and scholar Sylvia Lavin develops the concept of \"kissing\" to describe the growing intimacy between architecture and new types of art--particularly multimedia installations that take place in and on the surfaces of buildings--and to capture the sensual charge that is being designed and built into architectural surfaces and interior spaces today. Initiating readers into the guilty pleasures of architecture that abandons the narrow focus on function, Lavin looks at recent work by Pipilotti Rist, Doug Aitken, the firm Diller Scofidio + Renfro, and others who choose instead to embrace the viewer in powerful affects and visual and sensory atmospheres\"--Publisher's description."]