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[null,"1.","Record Nr.",null,"UNINA9910969427803321"]
[null,null,"Autore",null,"Mieszkowski Jan"]
[null,null,"Titolo",null,"Watching War"]
[null,null,"Pubbl/distr/stampa",null,"Palo Alto, : Stanford University Press, 2012"]
[null,null,"ISBN",null,"9780804785013"]
[{"$nulls":4},"0804785015"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (258 p.)"]
[null,null,"Disciplina",null,"303.6/609"]
[{"$nulls":4},"303.66"]
[null,null,"Soggetti",null,"Mass media -- Audiences"]
[{"$nulls":4},"War in literature"]
[{"$nulls":4},"War in mass media"]
[{"$nulls":4},"War in literature - Audiences"]
[{"$nulls":4},"Mass media"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"Literature - General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"Contents; List of Illustrations; Acknowledgments; Introduction: Watching War; 1. How to Tell a War Story; 2. The Witness Under Fire; 3. Looking at the Dead; 4. Visions of Total War; Conclusion: Old Wars, New Wars; Notes"]
[null,null,null,"Sommario/riassunto","What does it mean to be a spectator to war in an era when the boundaries between witnessing and perpetrating violence have become profoundly blurred? Arguing that the contemporary dynamics of military spectatorship took shape in Napoleonic Europe, Watching War explores the status of warfare as a spectacle unfolding before a mass audience. By showing that the battlefield was a virtual phenomenon long before the invention of photography, film, or the Internet, this book proposes that the unique character of modern conflicts has been a product of imaginary as much as material forces.<"]