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[null,"1.","Record Nr.",null,"UNINA9910968900403321"]
[null,null,"Titolo",null,"Making sense of cinema : empirical studies into film spectators and spectatorship / / edited by CarrieLynn D. Reinhard, Christopher J. Olson"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Bloomsbury Academic, , 2016"]
[null,null,"ISBN",null,"9781501302961"]
[{"$nulls":4},"1501302965"]
[{"$nulls":4},"9781501302978"]
[{"$nulls":4},"1501302973"]
[{"$nulls":4},"9781501302954"]
[{"$nulls":4},"1501302957"]
[null,null,"Descrizione fisica",null,"1 online resource (321 p.)"]
[null,null,"Classificazione",null,"PER004000"]
[null,null,"Disciplina",null,"302.23/43"]
[null,null,"Soggetti",null,"Motion picture audiences - Research - Methodology"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Machine generated contents note: -- Chapter 1: Introduction: Empirical Approaches to Film Spectators and Spectatorship -- CarrieLynn D. Reinhard (Dominican University, USA) and Christopher J. Olson (University of Illinois, Urbana-Champaign, USA)Chapter 2: Spectatorship in Public Space: The Moving Image in Public Art -- Annie Dell'Aria (Graduate Center CUNY, USA)Chapter 3: The Festival Collective: Cult Audiences and Asian Extreme Cinema -- Jessica Hughes (University of Queensland, Australia)Chapter 4: Transnational Preoccupations: Representations of Aging in Spanish and French Queer -- Cinemas and their Reception -- Darren Waldron (The University of Manchester, UK)Chapter 5: Preferred Readings, Subject Positions and Dissociative Appropriations: Group Discussions -- Following and Challenging the Tradition of Cultural Studies -- Alexander Geimer (University of Hamburg, Germany)Chapter 6: \"Legolas - He's Cool ... and He's Hot!\": The Meanings and Implications of Audience -- Attachments to Fictional Characters -- Martin Barker (Aberystwyth University, UK)Chapter 7: In Search of the Urban Child Spectator in the Late Silent Era -- Amanda Fleming (Indiana University, USA)Chapter 8: Seeing, Sensing Sound: Eye Tracking Soundscapes in Saving Private Ryan and Monsters -- Inc. -- Sean Redmond (Deakin University, Australia), Sarah Pink (RMIT University, Australia), Jane Stadler (RMIT University, Australia), Jenny "]
[{"$nulls":4},"Robinson (RMIT University, Australia), Andrea Rassell (RMIT University, Australia) and Darrin Verhagen (RMIT University, Australia)Chapter 9: Seeing Animated Worlds: Eye Tracking and the Spectator's Experience of Narrative -- Craig Batty (RMIT University, Australia), Jodi Sita (Australian Catholic University, Australia), Adrian Dyer (RMIT University, Australia), and Claire Perkins (Monash University, Australia) Chapter 10: The Effect of Focalization and Attachment on Film Viewers' Responses to Film -- Characters: Mixing Experimental Design with Qualitative Data Collection -- Katalin Bálint (University of Utrecht, The Netherlands) & András Bálint Kovács (University of ELTE, Hungary)Chapter 11: Making Sense of the American Superhero Film: Critical Engagement and Cinematic -- Entanglement -- CarrieLynn D. Reinhard (Dominican University, USA)Chapter 12: Applying a Model for Comprehension of Texts in the Comprehension of an Art Film -- Sermin Ildirar (Istanbul University, Turkey)Chapter 13: Guiding Imagination by Narrative Contextualization: Exploring Cinematic Moving Images via Eye Tracking Experiments -- Thorsten Kluss (Bremen University, Germany), Heinz-Peter Preusser (Bremen University, Germany), John Bateman (Bremen University, Germany), and Kerstin Schill (Bremen University, Germany)Chapter 14: Conclusion: Considerations for Future Directions -- Christopher Olson (University of Illinois, Urbana-Champaign, USA)Index."]
[null,null,null,"Sommario/riassunto","\"Explores a variety of theological and methodological approaches to film spectatorship through a dialogue of international contributions.\"--"]