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[null,"1.","Record Nr.",null,"UNINA9910163952703321"]
[null,null,"Autore",null,"Thompson Victoria"]
[null,null,"Titolo",null,"Texas Treasure"]
[null,null,"Pubbl/distr/stampa",null,"NEW YORK : , : Nancy Yost Literary Agency, , 1985"]
[{"$nulls":4},"©1985"]
[null,null,"ISBN",null,"1-62517-221-4"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (1 p.)"]
[null,null,"Collana",null,"A Lady and the Cowboy Romance Series ; ; v.1"]
[null,null,"Soggetti",null,"Historical fiction"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","A Lady and the Cowboy Romance (#1)Opposites Attract...Dusty Rhoades is positive that the new schoolteacher, with her creamy skin and polished ways is worlds above him; but if he knows one thing, it's women; and recognizes that look in Priscilla's eyes... That tall Texas cowboy has to be the most unsettling man Priscilla Bedford has ever met! Dusty Rhoades has only to look at her, and she can feel her composure crumble to dust! One minute his high-handed arrogance infuriates her; the next, she aches to feel his lean, hard arms around her...Dusty may be a diamond in the rough, but he may just turn out to be her own Texas Treasure!."]
[null,"2.","Record Nr.",null,"UNINA9910968886803321"]
[null,null,"Autore",null,"Betjemann Peter J. <1973->"]
[null,null,"Titolo",null,"Talking shop : the language of craft in an age of consumption / / Peter Betjemann"]
[null,null,"Pubbl/distr/stampa",null,"Charlottesville, : University of Virginia Press, c2011"]
[null,null,"ISBN",null,"0-8139-3169-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (279 p.)"]
[null,null,"Disciplina",null,"813/.409355"]
[null,null,"Soggetti",null,"American literature - 19th century - History and criticism"]
[{"$nulls":4},"American literature - 20th century - History and criticism"]
[{"$nulls":4},"Material culture in literature"]
[{"$nulls":4},"Authenticity (Philosophy) in literature"]
[{"$nulls":4},"Artisans in literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [249]-258) and index."]
[null,null,"Nota di contenuto",null,"The ghost writer: the canonization of Benvenuto Cellini -- Legends of labor: Nathaniel Hawthorne and the voice of craft -- The nature of gothic: artisanship, intuition, and the representation of expertise -- In the American grain: Gustav Stickley and the artisanal type -- The syntax of the eye: author, artisan, and the \"more laboring ages\" in Henry James's The spoils of Poynton -- Conclusion."]
[null,null,null,"Sommario/riassunto","Describing everything from bread and cappuccinos to mass-market furnishings, a language of the \"artisanal\" saturates our culture today. That language, Peter Betjemann proposes, has a rich and specifiable history. Between 1840 and 1920, the cultural appetite for handmade chairs, tables, cabinets, and other material odds and ends flowed through narrative and texts as much as through dusty workshops or the physical surfaces of clay, wood, or metal.  Judged by classic axioms about labor's virtue--axioms originating with Plato and foundational to modern theories of workmanship--the vigorous life of craft as represented in these texts might seem a secondhand version of an ideal and purposeful activity. But Talking Shop celebrates these texts as a cultural phenomenon of their own. In the first book to consider the literary representation of craft rather than of labor in general, Peter Betjemann asks how nineteenth and early twentieth-century craftspeople, writers, and consumers managed craft's traditional attachment to physical objects and activities while also celebrating craft "]
[{"$nulls":4},"in iconic, emblematic, preeminently textual terms. The durable model of workmanship that was created around correlations of craft and narrative, physical process and representation, and body and text blurred the boundaries between craft and its consumption. Discussing a wide range of material from fiction and essays to artifacts, the book explores how the era paved the way for the vitality and the viability of a language of craft in much later decades."]