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[null,"1.","Record Nr.",null,"UNINA9910968259303321"]
[null,null,"Titolo",null,"Big ears : listening for gender in jazz studies / / edited by Nichole Rustin and Sherrie Tucker"]
[null,null,"Pubbl/distr/stampa",null,"Durham, : Duke University Press, 2008"]
[null,null,"ISBN",null,"9780822343202"]
[{"$nulls":4},"0822343207"]
[null,null,"Descrizione fisica",null,"1 online resource (474 p.)"]
[null,null,"Collana",null,"Refiguring American music"]
[null,null,"Disciplina",null,"781.65082"]
[null,null,"Soggetti",null,"Jazz - History and criticism"]
[{"$nulls":4},"Jazz - Social aspects"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"PART I. Rooting Gender in Jazz History. SEPARATED AT \"BIRTH\": SINGING AND THE HISTORY OF JAZZ / Lara Pellegrinelli. WITH LOVIE AND LIL: REDISCOVERING TWO CHICAGO PIANISTS OF THE 1920s / Jeffrey Taylor. GENDER, JAZZ, AND THE POPULAR FRONT / Monica Hairston. \"THE BATTLE OF THE SAXES\": GENDER, DANCE BANDS, AND BRITISH NATIONALISM IN THE SECOND WORLD WAR / Christina Baade. IDENTITY FOR SALE: GLENN MILLER, WYNTON MARSALIS, AND CULTURAL REPLAY IN MUSIC / Tracy McMullen -- PART II. Improvising Gender: Embodiment and Performance. FROM THE POINT OF VIEW OF THE PAVEMENT: A GEOPOLITICS OF BLACK DANCE / Jayna Brown. PERVERSE HYSTERICS: THE NOISY CRI OF LES DIABOLIQUES / Julie Dawn Smith. \"BORN OUT OF JAZZ, YET EMBRACING ALL MUSIC\": RACE, GENDER, AND TECHNOLOGY IN GEORGE RUSSELL'S LYDIAN CHROMATIC CONCEPT / Eric Porter. \"BUT THIS MUSIC IS MINE ALREADY!\": \"WHITE WOMAN\" AS JAZZ COLLECTOR IN THE FILM NEW ORLEANS (1947) / Sherrie Tucker. FITTING THE PART / Ingrid Monson -- PART III. Reimagining Jazz Representations. \"BETTER A JAZZ ALBUM THAN LIPSTICK\" (LIEBER JAZZPLATTE ALS LIPPENSTIFT): THE 1956 JAZZ PODIUM SERIES REVEALS IMAGES OF JAZZ AND GENDER IN POSTWAR GERMANY / Ursel Schlicht. EXCLUSION, OPENNESS, AND UTOPIA IN BLACK MALE PERFORMANCE AT THE WORLD STAGE JAZZ JAM SESSIONS / Joao H. Costa Vargas. \"IT TAKES TWO PEOPLE TO CONFIRM THE TRUTH\": THE JAZZ FICTION OF SHERLEY ANN WILLIAMS AND TONI CADE BAMBARA / Farah Jasmine Griffin. \"BLOW, MAN, BLOW!\": REPRESENTING GENDER, WHITE PRIMITIVES, AND JAZZ MELODRAMA THROUGH A "]
[{"$nulls":4},"YOUNG MAN WITH A HORN / Nichole T. Rustin. THE GENDERED JAZZ AESTHETICS OF THAT MAN OF MINE: THE INTERNATIONAL SWEETHEARTS OF RHYTHM AND INDEPENDENT BLACK SOUND FILM / Kristin McGee"]
[null,null,null,"Sommario/riassunto","Collection of essays on the role of gender in jazz studies."]