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[null,"1.","Record Nr.",null,"UNINA9910968209403321"]
[null,null,"Autore",null,"Kershaw Baz"]
[null,null,"Titolo",null,"Research methods in theatre and performance / / Baz Kershaw and Helen Nicholson"]
[null,null,"Pubbl/distr/stampa",null,"Edinburgh : , : Edinburgh University Press, , 2011"]
[null,null,"ISBN",null,"9786613133250"]
[{"$nulls":4},"9781283133258"]
[{"$nulls":4},"1283133253"]
[{"$nulls":4},"9780748646081"]
[{"$nulls":4},"0748646086"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 recurso en línea (257 páginas)"]
[null,null,"Collana",null,"Research Methods for the Arts and Humanities"]
[null,null,"Disciplina",null,"792.072"]
[null,null,"Soggetti",null,"Artes escénicas"]
[{"$nulls":4},"Teatro"]
[{"$nulls":4},"Metodología"]
[{"$nulls":4},"Investigación"]
[{"$nulls":4},"Libros electrónicos"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Cover; Copyright; Contents; Acknowledgements; List of Figures; Introduction: Doing Methods Creatively; chapter 1 The Imperative of the Archive: Creative Archive Research; chapter 2 Researching Digital Performance: Virtual Practices; chapter 3 Practice as Research: Transdisciplinary Innovation in Action; chapter 4 Researching Theatre History and Historiography; chapter 5 Researching Scenography; chapter 6 Performer Training: Researching Practice in the Theatre Laboratory; chapter 7 The Question of Documentation: Creative Strategies in Performance Research; chapter 8 The Usefulness of Mess: Artistry, Improvisation and Decomposition in the Practice of Research in Applied Theatrechapter 9 Researching the Body in/as Performance; Notes on Contributors; Index."]
[null,null,null,"Sommario/riassunto","Key Features Created in association with TaPRA, the leading UK Theatre and Performance Research organisation, with chapters produced by specialist groupings.Provides many detailed project case studies and examples - including successful practice-based PhDs - plus analysis of dynamic couplings between methods, methodologies and skill-sets."]
[{"$nulls":4},"Introduction interrogates crucial qualities of performing arts research that constitute theatre and performance as, variously, single-, multi-, inter-, and trans-disciplinary.Contributors include: Maggie B. Gale (Chair of Drama, University of Manchester); Steve Dixon (Professor of Digital Performance, Brunel University); Joanne 'Bob' Whalley and Lee Miller (University Lecturers and founders Fictional Dogshelf Theatre Company); Simon Ellis and Rosemary Lee (independent performance/dance makers); Roberta Mock (Professor of Performance, University of Plymouth)."]