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[null,"1.","Record Nr.",null,"UNINA9910967874803321"]
[null,null,"Titolo",null,"Contemporary music : theoretical and philosophical perspectives / / edited by Max Paddison and Irène Deliège"]
[null,null,"Pubbl/distr/stampa",null,"Burlington, VT, : Ashgate, c2009"]
[null,null,"ISBN",null,"1-315-57388-1"]
[{"$nulls":4},"1-317-16069-X"]
[{"$nulls":4},"1-317-16068-1"]
[{"$nulls":4},"1-282-74382-1"]
[{"$nulls":4},"9786612743825"]
[{"$nulls":4},"1-4094-0416-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (407 p.)"]
[null,null,"Disciplina",null,"780.9/04"]
[null,null,"Soggetti",null,"Music - 20th century - History and criticism"]
[{"$nulls":4},"Music - 20th century - Philosophy and aesthetics"]
[{"$nulls":4},"Music - 21st century - History and criticism"]
[{"$nulls":4},"Music - 21st century - Philosophy and aesthetics"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,"Nota di contenuto",null,"Cover; Contents; List of Music Examples; List of Figures and Tables; Contributors; Preface; Introduction: Contemporary Music: Theory, Aesthetics, Critical Theory; PART I: Theoretical Perspectives and Retrospectives; 1 The Principles of Music and the Rationalization of Theory; 2 Atonal Harmony: From Set to Scale; 3 In Search of Lost Harmony; 4 Against a Theory of Musical (New) Complexity; 5 Heterogeneity: Or, On the Choice of Being Omnivorous; 6 Varèse, Serialism and the Acoustic Metaphor; 7 'I Open and Close'?; 8 A Period of Confrontation: The Post-Webern Years"]
[{"$nulls":4},"PART II: Philosophical Critiques and Speculations After Adorno9 A Philosophy of Totality; 10 Possibilities for a Work-Immanent Contemporary Musical Logic; 11 Postmodernism and the Survival of the Avant-garde; 12 Material Constraints: Adorno, Benjamin, Arendt; 13 Towards an Aesthetics of Risk; 14 Music and Social Relations: Towards a Theory of Mediation; PART III: Creative Orientations; 15 Music, Ambiguity, Buddhism: A Composer's Perspective; 16 Artistic Orientations and the Limits of Explanation: An Interview with Pierre "]
[{"$nulls":4},"Boulez"]
[{"$nulls":4},"17 Failed Time, Successful Time, Shadowtime: An Interview with Brian Ferneyhough18 Sound Structures, Transformations, and Broken Magic: An Interview with Helmut Lachenmann; 19 Hunting and Forms: An Interview with Wolfgang Rihm; Postlude: Helmut Lachenmann, Wolfgang Rihm and the Austro-German Tradition; Index of Names; Index of Subjects"]
[null,null,null,"Sommario/riassunto","This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers and includes new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Contributions with a theoretical emphasis consider the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake"]