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[null,"1.","Record Nr.",null,"UNINA9910710278403321"]
[null,null,"Autore",null,"Braun Emil"]
[null,null,"Titolo",null,"Review of literature, applicable test methods, and incident data for the evaluation of the fire performance of central telephone office equipment / / Emil Braun"]
[null,null,"Pubbl/distr/stampa",null,"Gaithersburg, MD : , : U.S. Dept. of Commerce, National Institute of Standards and Technology, , 1981"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Collana",null,"NBSIR ; ; 81-2261"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","1981."]
[{"$nulls":4},"Contributed record: Metadata reviewed, not verified. Some fields updated by batch processes."]
[{"$nulls":4},"Title from PDF title page."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,"2.","Record Nr.",null,"UNINA9910968107103321"]
[null,null,"Autore",null,"Baker Lynne Rudder <1944-2017, >"]
[null,null,"Titolo",null,"Naturalism and the first-person perspective / / Lynne Rudder Baker"]
[null,null,"Pubbl/distr/stampa",null,"New York, NY, : Oxford University Press, [2013]"]
[null,null,"ISBN",null,"0-19-991473-7"]
[null,null,"Descrizione fisica",null,"1 online resource (xxiv, 248 pages)"]
[null,null,"Disciplina",null,"146"]
[null,null,"Soggetti",null,"Naturalism"]
[{"$nulls":4},"Self (Philosophy)"]
[{"$nulls":4},"Perspective (Philosophy)"]
[{"$nulls":4},"Philosophy"]
[{"$nulls":4},"Philosophy & Religion"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,null,"Sommario/riassunto","This text investigates the limits of scientific naturalism. It has three goals: to show that no wholly impersonal account of reality can be adequate to all phenomena; to formulate a non-Cartesian account of the first-person perspective; to develop a 'near-naturalism' that accommodates the world of our encounters and interactions."]
[null,"3.","Record Nr.",null,"UNINA9910966952103321"]
[null,null,"Titolo",null,"Critical Reflections on Audience and Narrativity : New connections, New perspectives / Bianca Mitu, Silvia Branea, Valentina Marinescu, Daniela Schluetz, Mathieu Pierre, Beate Schneider, Michael Fuchs, Michael Wayne, Inbar Kaminsky, Oliver Kroener, Atene Mendelyte, Raquel Galvez, Enric Zofio, Rodrigo Mesonero, Valentina Marinescu, Marc Perello-Sobrepere, Bianca Mitu, Lilian Moreira, Natasa Bajic, Maria Dicieanu, Nuran Isik, Carmen Arana, Maria Gavilan, Lourdes Gutierrez, Tania Benitez"]
[null,null,"Pubbl/distr/stampa",null,"Hannover, : ibidem, 2014"]
[null,null,"ISBN",null,"9783838266794"]
[{"$nulls":4},"383826679X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (245 p.)"]
[null,null,"Disciplina",null,"791.45"]
[null,null,"Soggetti",null,"reality"]
[{"$nulls":4},"intertextuality"]
[{"$nulls":4},"post-network age"]
[{"$nulls":4},"television"]
[{"$nulls":4},"TV"]
[{"$nulls":4},"narrative"]
[{"$nulls":4},"series"]
[{"$nulls":4},"narrativity"]
[{"$nulls":4},"mass culture"]
[{"$nulls":4},"mass entertainment"]
[{"$nulls":4},"media"]
[{"$nulls":4},"fiction"]
[{"$nulls":4},"audience"]
[{"$nulls":4},"storytelling"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Does the cultural capital compensate for the cultural discount? Why do German students prefer US-American TV series? / Daniela Schluetz, Beate Schneider -- Awake, or the multiplication of the realities contemporary television series: narrative structures and audience "]
[{"$nulls":4},"perception / Mathieu Pierre -- \"Three hundred channels and nothing's on\": metaleptic genre-mixing in Supernatural / Michael Fuchs -- Appreciating Nietzsche in episodic drama: the highbrow intertextuality and middlebrow reception of Criminal minds / Michael Wayne -- The seed of an idea and its cognitive field: minding the gap of alternate reality in Flash forward and Fringe / Inbar Kaminsky -- Breaking narrative: narrative complexity in contemporary television / Oliver Kroener -- The walking dead and the truly monstrous ... on television / Atene Mendelyte -- Television cosmo-mythologies: the return to mythological narratives in television fiction, from The prisoner to Lost / Raquel Crisóstomo Gálvez, Enric Ros Zofío -- Breaking bad, a character-based formula / Rodrigo Mesonero -- Representing occupations in media and audience perceptions of TV series / Valentina Marinescu -- Homeland: war on terror revisited / Marc Perelló-Sobrepere -- Understanding health in Grey's Anatomy television series / Bianca Mitu -- Fiction television in Brazil: new perspectives / Lilian Fontes Moreira -- TV series Bolji z̆ivot (1987-1991): view from the future / Natasa Simeunovic Bajic -- The X-factor of singing competitions TV series / Maria Dicieanu -- TV drama as a narrative form: scenes from a gendered and a sacralized cultural sphere in Turkish society / Nuran E. Işık-- The hero's journey / María Teresa Nicolás Gavilán, Lourdes López Gutiérrez, Carmen Silvia Sánchez Arana, Tania Alejandra Benítez Sánchez."]
[null,null,null,"Sommario/riassunto","\"Critical Reflections on Audience and Narrativity—New connections, New perspectives\" offers an interdisciplinary and multicultural approach to fiction, reality, and narrativity applied to television series from all over the world. Dissecting the almost invisible barrier between fiction and reality in TV series from various perspectives, the chapters cover a wide range of contemporary classics from the post-network age. From \"The X-Files\" and \"Desperate Housewives\" to \"The Wire\" and \"Breaking Bad\", the chapters sketch TV series` development from the lowest form of mass entertainment to the sophisticated vehicle of highbrow intertextuality on a global scale. Also covering many international cases from Brazil, Serbia, Romania, and Turkey and locating them in the global web of puzzle narratives, the unique contributions draw connections between the most diverse audiences and the way they receive modern storytelling in a culturally globalized world. This timely volume is a great resource for anyone interested in contemporary mass culture."]
[{"$nulls":4},"\"The new perspectives offered by this volume are of great interest for any European and International scholar mainly because the volume brings to light new ideas, new methodologies and results that could be further developed. Furthermore it is outstanding that the contributors to this book come from different countries (UK, Germany, Turkey, Bulgaria, Romania) and somehow reach a common language in their studies.\"-Michael Higgins, University of Strathclyde, UK"]