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[null,"1.","Record Nr.",null,"UNISA996390630003316"]
[null,null,"Autore",null,"Clarke Samuel <1599-1682.>"]
[null,null,"Titolo",null,"The life & death of Nebuchadnezzar the Great [[electronic resource]] : the first founder of the Babylonian Empire; represented by the golden head of that image; Dan. 2. 32. and by the lion with eagles wings; Dan. 7. 4. As also of Cyrus the Graet [sic], the first founder of the Empire of the Medes, and Persians; represented by the breast, and arms of silver in that image; Dan. 2. 32. and by a bear; Dan. 7. 5. and by a ram with two horns; Dan. 8. 3, 20. He was the deliverer of Gods Israel out of Babylon, the seventy years of their captivity being expired. By both of these, much light is given to many of the prophesies of Isay, Jeremy, Esekiel, and Daniel. By Sa. Clarke, sometimes minister in St. Bennet Fink, London"]
[null,null,"Pubbl/distr/stampa",null,"London, : printed for William Miller at the Gilden Acorn in St Pauls Church-yard, near the little north door, 1665"]
[null,null,"Descrizione fisica",null,"[4], 50 p"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","\"The life & death of Nebuchadnezzar the Great\" and \"The life & death of Cyrus the Great\" have separate dated title pages; register and pagination are continuous."]
[{"$nulls":4},"Reproduction of original in the University of Illinois (Urbana-Champaign Campus). Library."]
[null,null,null,"Sommario/riassunto","eebo-0167"]
[null,"2.","Record Nr.",null,"UNIORUON00118943"]
[null,null,"Autore",null,"MEHRABADI RAFI'I, Abo'l-Qasem"]
[null,null,"Titolo",null,"Asar-e melli-ye Esfahan / Abo'l-Qasem Mehrabadi Rafi'i"]
[null,null,"Pubbl/distr/stampa",null,"Tehran, : [s.n.], 1352h [1974]"]
[null,null,"Descrizione fisica",null,"1028 p. : ill. ; 24 cm"]
[null,null,"Classificazione",null,"IRA XI"]
[null,null,"Lingua di pubblicazione",null,"Persiano"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"3.","Record Nr.",null,"UNINA9910965254403321"]
[null,null,"Autore",null,"Maurice Alice"]
[null,null,"Titolo",null,"Cinema and Its Shadow : Race and Technology in Early Cinema"]
[null,null,"Pubbl/distr/stampa",null,"Minneapolis, : University of Minnesota Press, 2013"]
[null,null,"ISBN",null,"1-4529-3938-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (282 p.)"]
[null,null,"Disciplina",null,"791.43/6552"]
[null,null,"Soggetti",null,"Minorities in motion pictures"]
[{"$nulls":4},"Motion picture industry -- Technological innovations"]
[{"$nulls":4},"Race in motion pictures"]
[{"$nulls":4},"Minorities in motion pictures - Technological innovations"]
[{"$nulls":4},"Motion picture industry"]
[{"$nulls":4},"Music, Dance, Drama & Film"]
[{"$nulls":4},"Film"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"\"\"Cover\"\"; \"\"Contents\"\"; \"\"Acknowledgments\"\"; \"\"Introduction: Embodying Cinema\"\"; \"\"Chapter 1: Performing Body, Performing Image: Race and the Boundaries of Early Cinematic Narrative\"\"; \"\"Chapter 2: Face, Race, and Screen: Close-ups and the Transition to the Feature Film\"\"; \"\"Chapter 3: Recasting Shadows: Race, Image, and Audience\"\"; \"\"Chapter 4: â€œCinema at Its Sourceâ€?: Synchronizing Race and Sound in the Early Talkies\"\"; \"\"Conclusion: Red, White, and Blue: Digital Cinema, Race, and Avatar\"\"; \"\"Notes\"\"; \"\"Filmography\"\"; \"\"Index\"\"; \"\"A\"\"; \"\"B\"\"; \"\"C\"\"; \"\"D\"\"; \"\"E\"\"; \"\"F\"\"; \"\"G\"\"; \"\"H\"\""]
[{"$nulls":4},"\"\"I\"\"\"\"J\"\"; \"\"K\"\"; \"\"L\"\"; \"\"M\"\"; \"\"N\"\"; \"\"O\"\"; \"\"P\"\"; \"\"Q\"\"; \"\"R\"\"; \"\"S\"\"; \"\"T\"\"; \"\"U\"\"; \"\"V\"\"; \"\"W\"\"; \"\"Y\"\"; \"\"Z\"\""]
[null,null,null,"Sommario/riassunto","The Cinema and Its Shadow argues that race has defined the cinematic apparatus since the earliest motion pictures, especially at times of technological transition.In particular, this work explores how racial difference became central to the resolving of cinematic problems: the stationary camera, narrative form, realism, the synchronization of."]