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[null,"1.","Record Nr.",null,"UNINA9910965033703321"]
[null,null,"Autore",null,"Shanbaum Phaedra"]
[null,null,"Titolo",null,"The digital interface and new media art installations / / Phaedra Shanbaum"]
[null,null,"Pubbl/distr/stampa",null,"Milton Park, Abingdon : , : Taylor & Francis Ltd, , 2019"]
[{"$nulls":4},"London : , : Bloomsbury Publishing (UK), , 2025"]
[null,null,"ISBN",null,"9780429885990"]
[{"$nulls":4},"0429885997"]
[{"$nulls":4},"9780429886003"]
[{"$nulls":4},"0429886004"]
[{"$nulls":4},"9780429467899"]
[{"$nulls":4},"0429467893"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (205 pages)"]
[null,null,"Collana",null,"Routledge advances in art and visual studies"]
[null,null,"Disciplina",null,"709.04074"]
[null,null,"Soggetti",null,"Human-computer interaction"]
[{"$nulls":4},"Installations (Art)"]
[{"$nulls":4},"Interactive art"]
[{"$nulls":4},"New media art"]
[{"$nulls":4},"Art & design styles: from c 1960"]
[{"$nulls":4},"Installation art"]
[{"$nulls":4},"Media studies"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Based on the author's thesis (doctoral--Goldsmiths' College, 2017) under the title: The interface is obsolete."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover -- Half Title -- Series Page -- Title -- Copyright -- Dedication -- Contents -- List of Figures -- Acknowledgments -- Introduction: Art at the Interface -- What Is a Digital Interface? -- A Brief History of Digital Art -- Chapter Summaries -- 1 The Aesthetic Interface -- Toward a Digital Aesthetic of the Interface -- The Aesthetic Interface and the Mediated Experience of Time -- Aesthetic Distance, Representationalism, and Cartesian Habits of the Mind -- The Difficulty with Interactivity -- The Digital Interface Is Obsolete -- Place and the Aesthetic Interface -- 2 The Embodied Interface -- The Viewer/Participant or the Interface? -- The Human \"Me\" and the Technologized \"You\" -- The \"Real\" and the Representational -- The Re-use of Cultural Forms: Practice, Potentiality, and Instructional Processes "]
[{"$nulls":4},"-- 3 The Agential Interface -- The Agency of Human and Non-human Entities, or Why the Relationship between the Body and Technology Matters -- The Agential Interface in 768 Pieces -- Enacting the Agential Cut -- Collective Spaces of Questioning, Reflection, and Reconsideration -- 4 Instruction and the Interface -- The Ideological Effects of Instruction -- Instruction, Learning Processes, and the Cybernetic Feedback Loop of Interaction -- Pre-programmed Actions and Unexpected Experiences: Instruction as a Rhetorical Device -- Peripheral Actions and Unintended Consequences: Instruction and the Filtering Process -- Shared Ontological Systems and the Emergence of Different Dialogues -- 5 The Ubiquitous Interface: Part I -- What is Ubiquitous Computing? -- A \"Shift\" in Computing -- A Restructuring of Interfaces -- Re-opening the Question of the Interface: Linear Timelines and Finality -- In Conclusion -- 6 The Ubiquitous Interface: Part II -- The Instrumentalization and Commodification of the Ubiquitous Interface -- \"You Are the Controller\"."]
[{"$nulls":4},"The Alternative Ubiquitous Interface -- \"A Radically New Tool\" -- In Conclusion -- 7 The Implanted Interface -- Implanting the Interface -- The Limited and Limitless Possibilities of the Implant -- Support: Agency, Identity, and the Implant -- Mediate: The Social \"Time Capsule\" -- Enhance: Performing the Visible Invisible -- Remediate: Disembodiment, Transcendence, and the Implant -- Conclusion/Postscript -- Bibliography -- Index."]
[null,null,null,"Sommario/riassunto","This book is about the digital interface and its use in interactive new media art installations. It examines the aesthetic aspects of the interface through a theoretical exploration of new media artists, who create, and tactically deploy, digital interfaces in their work in order to question the socio-cultural stakes of a technology that shapes and reshapes relationships between humans and non-humans. In this way, it shows how use of the digital interface provides us with a critical framework for understanding our relationship with technology."]