{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":19,"n_cols":5,"rows_kept":19,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[13,2,13,3],[14,2,14,3],[17,2,17,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910964705103321"]
[null,null,"Autore",null,"Blyn Robin"]
[null,null,"Titolo",null,"The freak-garde : extraordinary bodies and revolutionary art in America"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified], : University of Minnesota Press, 2013"]
[null,null,"ISBN",null,"0-8166-8587-8"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (321 pages)"]
[null,null,"Disciplina",null,"700.973"]
[null,null,"Soggetti",null,"Arts - Experimental methods - 20th century - United States"]
[{"$nulls":4},"Arts, American - Themes, motives"]
[{"$nulls":4},"Freak shows"]
[{"$nulls":4},"Art, Architecture & Applied Arts"]
[{"$nulls":4},"Fine Arts - General"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,"Nota di contenuto",null,"Cover -- Contents -- Preface and Acknowledgments -- Introduction. Unbecoming Subjects: Freak Shows and the American Avant-garde -- 1 A Curious Education: Mark Twain's Corporate Persons -- 2 Between Silence and Sound: The Lon Chaney Sensation -- 3 Decadence in the Age of Fascism: Djuna Barnes's Freak Dandies -- 4 Dada in Hollywood: Nathanael West's Human Machines -- 5 The Biology of Revolution: Mapping Mutation with Diane Arbus -- Coda. Barnum &amp -- Bailey &amp -- Barney: Freak Show at the Guggenheim -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- U -- V -- W -- Y -- Z."]
[null,null,null,"Sommario/riassunto","The Freak-garde traces the arts of the freak show from P. T. Barnum to Matthew Barney, demonstrating how a form of mass culture entertainment became the basis for a distinctly American avant-garde tradition. Robin Blyn establishes innovative approaches to American avant-garde practices and embodiment and lays the foundation for a more nuanced understanding of the disruptive potential of art under capitalism."]