{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":30,"n_cols":5,"rows_kept":30,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[5,2,5,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[10,2,10,3],[10,4,10,5],[11,2,11,3],[11,4,11,5],[12,2,12,3],[12,4,12,5],[13,2,13,3],[14,2,14,3],[18,2,18,3],[19,2,19,3],[20,2,20,3],[21,2,21,3],[22,2,22,3],[23,2,23,3],[24,2,24,3],[28,2,28,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNISALENTO991004391528707536"]
[null,null,"Autore",null,"Di Marco, Roberto"]
[null,null,"Titolo",null,"L'orto di Ulisse : (racconti) / Roberto Di Marco ; introduzione di Romano Luperini"]
[null,null,"Pubbl/distr/stampa",null,"Lecce : Manni, 1987"]
[null,null,"Descrizione fisica",null,"141 p.  ; 21 cm"]
[null,null,"Collana",null,"La scrittura e la storia. Narratori contemporanei ; 8"]
[null,null,"Disciplina",null,"853"]
[null,null,"Lingua di pubblicazione",null,"Italiano"]
[null,null,"Formato",null,"Microfilm"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910964420503321"]
[null,null,"Autore",null,"Mayne Judith"]
[null,null,"Titolo",null,"Cinema and spectatorship / / Judith Mayne"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Routledge, 1993"]
[null,null,"ISBN",null,"1-134-96687-3"]
[{"$nulls":4},"1-134-96688-1"]
[{"$nulls":4},"1-280-32824-X"]
[{"$nulls":4},"0-203-13388-9"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (198 p.)"]
[null,null,"Collana",null,"Sightlines"]
[null,null,"Disciplina",null,"791.43/015"]
[null,null,"Soggetti",null,"Motion picture audiences"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Contents; List of illustrations; Acknowledgements; Introduction; THE SUBJECT OF SPECTATORSHIP; SPECTATORSHIP AS INSTITUTION; SPECTATORSHIP RECONSIDERED; PARADOXES OF SPECTATORSHIP; TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP; STAR-GAZING; WHITE SPECTATORSHIP AND GENRE-MIXING; THE CRITICAL AUDIENCE; Works cited; Index"]
[null,null,null,"Sommario/riassunto","Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970's film theory insisted on a distinction between the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between \"\"subjects\"\" and \"\"viewers\"\" is in fact central to the study of spectatorship. In the book's first section Mayne examines three theoretical models of spectatorship: the perceptual, the institutional and the historical, while the second section focuses on case studies which crystallize many of the issue"]