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[null,"1.","Record Nr.",null,"UNINA9910964318203321"]
[null,null,"Autore",null,"Banks Patricia Ann."]
[null,null,"Titolo",null,"Represent : art and identity among the black upper-middle class / / Patricia A. Banks"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Routledge, , 2010"]
[null,null,"ISBN",null,"1-135-17795-3"]
[{"$nulls":4},"1-135-17796-1"]
[{"$nulls":4},"1-282-97465-3"]
[{"$nulls":4},"9786612974656"]
[{"$nulls":4},"0-203-86286-4"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (134 p.)"]
[null,null,"Collana",null,"Routledge research in race and ethnicity ; ; 3"]
[null,null,"Disciplina",null,"305.896"]
[{"$nulls":4},"305.896/073"]
[{"$nulls":4},"305.896073"]
[null,null,"Soggetti",null,"African Americans - Race identity"]
[{"$nulls":4},"African American art - Social aspects"]
[{"$nulls":4},"Art and race"]
[{"$nulls":4},"Art and the middle class"]
[{"$nulls":4},"Ethnicity in art"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Copyright; Contents; Figures; Acknowledgments; 1 Constructing Black Identities; 2 Seeing Ourselves: A Portrait of Cultural Participation and Appearance; 3 Narratives of the Past: A Portrait of Cultural Participation and History; 4 Measures of Worth: A Portrait of Cultural Participation and Dignity; 5 Advancing the Race: A Portrait of Cultural Participation and Community; 6 New Perspectives on Race, Cultural Participation, and the Black Middle-Class; Appendix: Research Sites and Research Procedures; Notes; References; Index"]
[null,null,null,"Sommario/riassunto","Patricia A. Banks traverses the New York and Atlanta art worlds to uncover how black identities are cultivated through black art patronage. Drawing on over 100 in-depth interviews, observations at arts events, and photographs of art displayed in homes, Banks elaborates a racial identity theory of consumption that highlights how upper-middle class blacks forge black identities for themselves and their children through the consumption of black visual art. She not only "]
[{"$nulls":4},"challenges common assumptions about elite cultural participation, but also contributes to the heated debate about the signific"]