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[null,"1.","Record Nr.",null,"UNINA9910963923803321"]
[null,null,"Autore",null,"Thomas Julia <1971->"]
[null,null,"Titolo",null,"Pictorial Victorians : the inscription of values in word and image / / Julia Thomas"]
[null,null,"Pubbl/distr/stampa",null,"Athens, : Ohio University Press, c2004"]
[null,null,"ISBN",null,"0-8214-4137-X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (225 p.)"]
[null,null,"Disciplina",null,"741.6/4/094109034"]
[null,null,"Soggetti",null,"Illustration of books, Victorian - Great Britain"]
[{"$nulls":4},"Illustration of books - Great Britain - History - 19th century"]
[{"$nulls":4},"National characteristics in art"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [185]-197) and index."]
[null,null,"Nota di contenuto",null,"War and peace: word and image in mid-Victorian culture -- Picturing slavery: Uncle Tom's cabin and its early illustrations -- Pictures, poems, politics: illustrating Tennyson -- Crinolineomania: Punch's female malady -- Nation and narration: the Englishness of Victorian narrative painting -- Tale of two stories: Joseph Noel Paton's In memoriam -- Telling tales: adultery and maternity in past and present."]
[null,null,null,"Sommario/riassunto","The Victorians were image obsessed. The middle decades of the nineteenth century saw an unprecedented growth in the picture industry. Technological advances enabled the Victorians to adorn with images the pages of their books and the walls of their homes. But this was not a wholly visual culture. Pictorial Victorians focuses on two of the most popular mid-nineteenth-century genres-illustration and narrative painting-that blurred the line between the visual and textual. Illustration negotiated text and image on the printed page, while narrative painting juxtaposed the two media in its formulation of pictorial stories. Author Julia Thomas reassesses mid-nineteenth-century values in the light of this interplay. The dialogue between word and image generates meanings that are intimately related to the Victorians' image of themselves. Illustrations in Victorian publications and the narrative scenes that lined the walls of the Royal Academy reveal the Victorians' ideas about the world in which they lived and their notions of gender, class, and race. Pictorial Victorians surveys a range of material, from representations of the crinoline, to the illustrations that accompanied Harriet Beecher Stowe's novel Uncle "]
[{"$nulls":4},"Tom's Cabin and Tennyson's poetry, to paintings of adultery. It demonstrates that the space between text and image is one in which values are both constructed and questioned."]