{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":20,"n_cols":5,"rows_kept":20,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[13,2,13,3],[14,2,14,3],[18,2,18,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910963589503321"]
[null,null,"Autore",null,"Calosse Jp. A"]
[null,null,"Titolo",null,"[Perfect square] Pablo Picasso 1881-1914 / / [Jp. A. Calosse]"]
[null,null,"Pubbl/distr/stampa",null,"[New York], : Parkstone International, [2011]"]
[null,null,"ISBN",null,"9781283955171"]
[{"$nulls":4},"1283955172"]
[{"$nulls":4},"9781780426624"]
[{"$nulls":4},"1780426623"]
[{"$nulls":4},"9781780425443"]
[{"$nulls":4},"1780425449"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (82 pages)"]
[null,null,"Disciplina",null,"709.2"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"De la jeunesse au Cubisme; BIOGRAPHIE; TABLE DES ILLUSTRATIONS; NOTES"]
[null,null,null,"Sommario/riassunto","Cet ouvrage présente un grand nombre d'œuvres de Pablo Picasso réalisées entre 1881 et 1914. La première manière de l'artiste est marquée par l'influence du Greco, de Munch et de Toulouse-Lautrec qu'il découvre à Barcelone. Fortement intéressé par l'expression psychologique, il exprime dans sa période « bleue » (1901-1904) la misère morale : scènes de genre, natures mortes et portraits sont empreints de mélancolie. Il se passionne ensuite pour des figures de saltimbanques ; période « rose ». À partir de 1904, date de son installation à Paris, son esthétique évolue considérablement. L'influence"]