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[null,"1.","Record Nr.",null,"UNINA9910450994303321"]
[null,null,"Autore",null,"Sankey Jay <1963-, >"]
[null,null,"Titolo",null,"Zen and the art of the monologue / / Jay Sankey"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Routledge, , 2000"]
[null,null,"ISBN",null,"1-135-47056-1"]
[{"$nulls":4},"1-280-40720-4"]
[{"$nulls":4},"0-203-90230-0"]
[null,null,"Descrizione fisica",null,"1 online resource (175 p.)"]
[null,null,"Disciplina",null,"792"]
[null,null,"Soggetti",null,"Monologue"]
[{"$nulls":4},"Dialogue"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [161]-162)."]
[null,null,"Nota di contenuto",null,"Book Cover; Title; Contents; Foreword; The Monologue; The Script; The Promotion; The Stage; The Rehearsal; The Audience; The Performance; The Television Production; Interview with Paul McConvey; A Sitting Meditation; Fringe Festivals; Selected Bibliography and Videography"]
[null,null,null,"Sommario/riassunto","Jay Sankey--stand-up comic, magician, and cartoonist--is back with another book for performers. Building on the success of his Zen and the Art of Stand-up Comedy, Jay is moving further into the  uncharted wilds of solo performance."]
[null,"2.","Record Nr.",null,"UNINA9910963288303321"]
[null,null,"Autore",null,"Lindeboom B. W (Benjamin Willem)"]
[null,null,"Titolo",null,"Venus' owne clerk : Chaucer's debt to the Confessio amantis / / B.W. Lindeboom"]
[null,null,"Pubbl/distr/stampa",null,"Amsterdam ; ; New York, NY, : Rodopi, 2007"]
[null,null,"ISBN",null,"94-012-0397-0"]
[{"$nulls":4},"1-4294-8096-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (486 p.)"]
[null,null,"Collana",null,"Costerus, , 0165-9618 ; ; new ser., 167"]
[null,null,"Disciplina",null,"821/.109"]
[null,null,"Soggetti",null,"Literature - History and criticism"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Introduction -- Chaucer’s Changing Design of the Canterbury Tales -- Towards Composing a Testament of Love -- The Sergeant and Man of Law as Gower -- The Testament of Love -- Confession, Sin and the Wife of Bath -- The Pardoner’s Confession of Sin -- The Wife of Bath’s Sermon -- The Pardoner’s Double Sermon -- Conclusion -- Reference."]
[null,null,null,"Sommario/riassunto","Venus’ Owne Clerk: Chaucer’s Debt to the “Confessio Amantis” will appeal to all those who value a bit of integration of Chaucer and Gower studies. It develops the unusual theme that the Canterbury Tales were signally influenced by John Gower’s Confessio Amantis , resulting in a set-up which is entirely different from the one announced in the General Prologue . Lindeboom seeks to show that this results from Gower’s call, at the end of his first redaction of the Confessio , for a work similar to his – a testament of love . Much of the argument centres upon the Wife of Bath and the Pardoner, who are shown to follow Gower’s lead by both engaging in confessing to all the Seven Deadly Sins while preaching a typically fourteenth-century sermon at the same time. While not beyond speculation at times, the author offers his readers a well-documented and tantalizing glimpse of Chaucer turning away from his original concept for the Canterbury Tales and realigning them along lines far closer to Gower."]