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[null,"1.","Record Nr.",null,"UNINA9910963246103321"]
[null,null,"Autore",null,"Radner Hilary"]
[null,null,"Titolo",null,"Neo-feminist cinema : girly films, chick flicks and consumer culture / / Hilary Radner"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Routledge, 2011"]
[{"$nulls":4},"New York : , : Routledge, , 2011"]
[null,null,"ISBN",null,"1-136-99599-4"]
[{"$nulls":4},"1-136-99600-1"]
[{"$nulls":4},"1-283-04494-3"]
[{"$nulls":4},"9786613044945"]
[{"$nulls":4},"0-203-85521-3"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (442 p.)"]
[null,null,"Disciplina",null,"791.43/6522"]
[{"$nulls":4},"791.43082"]
[null,null,"Soggetti",null,"Feminism and motion pictures"]
[{"$nulls":4},"Motion pictures for women - United States"]
[{"$nulls":4},"Women in motion pictures"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; Figures; Acknowledgments; Introduction; Chapter 1 Neo-Feminism and the Rise of the Single Girl; Chapter 2 Pretty Woman (1990) and the Girly Film; Chapter 3 Romy and Michele's High School Reunion (1997); Chapter 4 Legally Blonde (2001); Chapter 5 Jennifer Lopez; Chapter 6 Maid in Manhattan (2002); Chapter 7 Hit Movies for \"Femmes\" Chick Flicks and Chick Lit; Indie Films for the Female Demo: My Big Fat Greek Wedding (Joel Zwick, 2002) and Mamma Mia! (Phyllida Lloyd, 2008); Chapter 8 The Devil Wears Prada (2006); Chapter 9 Sex and the City: The Movie (2008)"]
[{"$nulls":4},"Chapter 10 Something's Gotta Give (2003)Conclusion; Notes; Index"]
[null,null,null,"Sommario/riassunto","What lies behind current feminist discontent with contemporary cinema? Through a combination of cultural and industry analysis, Hilary Radner's Neo-Feminist Cinema: Girly Films, Chick Flicks and Consumer Culture shows how the needs of conglomerate Hollywood have encouraged an emphasis on consumer culture within films made for women. By exploring a number of representative \"\"girly films,\"\" including Pretty Woman, Legally Blonde, Maid in Manhattan, The Devil "]
[{"$nulls":4},"Wears Prada, and Sex and the City: The Movie, Radner proposes that rather than being \"\"post-feminist,\""]