{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":2,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":55,"n_cols":5,"rows_kept":55,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[6,2,6,3],[7,2,7,3],[8,2,8,3],[14,2,14,3],[15,2,15,3],[18,2,18,3],[21,2,21,3],[21,4,21,5],[22,2,22,3],[22,4,22,5],[23,2,23,3],[23,4,23,5],[24,2,24,3],[25,2,25,3],[30,2,30,3],[31,2,31,3],[32,2,32,3],[33,2,33,3],[46,2,46,3],[47,2,47,3],[51,2,51,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910511636703321"]
[null,null,"Autore",null,"Titmarsh Mark"]
[null,null,"Titolo",null,"Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh"]
[null,null,"Pubbl/distr/stampa",null,"[New York] : , : Bloomsbury Academic, , 2017"]
[null,null,"ISBN",null,"1-350-00419-7"]
[{"$nulls":4},"1-350-00416-2"]
[null,null,"Descrizione fisica",null,"1 online resource (228 pages)"]
[null,null,"Disciplina",null,"745.723"]
[null,null,"Soggetti",null,"Aesthetics"]
[{"$nulls":4},"Art - Philosophy"]
[{"$nulls":4},"Color in art"]
[{"$nulls":4},"Ontology"]
[{"$nulls":4},"Painting - Philosophy"]
[{"$nulls":4},"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Chapter 1. The Presence of Paint -- Chapter 2. Expanded Painting -- Chapter 3. Post Aesthetics -- Chapter 4. An Ontology of Colour -- Chapter 5. The Painting of Being -- Notes -- Bibliography."]
[null,null,null,"Sommario/riassunto","\"The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often challenge both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic "]
[{"$nulls":4},"discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting.\"--Bloomsbury Publishing."]
[null,"2.","Record Nr.",null,"UNINA9910963211003321"]
[null,null,"Autore",null,"Husband Julie"]
[null,null,"Titolo",null,"Antislavery Discourse and Nineteenth-Century American Literature : Incendiary Pictures / / by J. Husband"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Palgrave Macmillan US : , : Imprint : Palgrave Macmillan, , 2010"]
[null,null,"ISBN",null,"9786612908743"]
[{"$nulls":4},"9781282908741"]
[{"$nulls":4},"128290874X"]
[{"$nulls":4},"9780230105218"]
[{"$nulls":4},"0230105211"]
[null,null,"Edizione",null,"[1st ed. 2010.]"]
[null,null,"Descrizione fisica",null,"1 online resource (175 p.)"]
[null,null,"Disciplina",null,"326/.80973"]
[null,null,"Soggetti",null,"Literature"]
[{"$nulls":4},"America - Literatures"]
[{"$nulls":4},"Literature, Modern - 19th century"]
[{"$nulls":4},"Literature - Philosophy"]
[{"$nulls":4},"African Americans"]
[{"$nulls":4},"Culture"]
[{"$nulls":4},"Human rights"]
[{"$nulls":4},"World Literature"]
[{"$nulls":4},"North American Literature"]
[{"$nulls":4},"Nineteenth-Century Literature"]
[{"$nulls":4},"Literary Theory"]
[{"$nulls":4},"African American Culture"]
[{"$nulls":4},"Human Rights"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Cover; Contents; Preface; Acknowledgments; Introduction; Part 1 Central Feminist Abolitionists and the Wage Labor System; 1 The Emergence of the Family Protection Campaign and Antislavery Sentimentality; 2 Anticipating Progressive Era Reformers: Lydia Maria Child and the Mothering State; Part 2 Adaptations of the Antislavery Family Protection Campaign; 3 Marketplace Politics in The Scarlet Letter; 4 The Invisible Hand of the Marketplace: E.D.E.N. Southworth's "]
[{"$nulls":4},"Southern Reforms; 5 \"\"The White Slave of the North\"\": Lowell Mill Women and the Evolution of \"\"Free Labor\"\""]
[{"$nulls":4},"Part 3 The End of Antislavery Sentimentality6 Frederick Douglass's Post-Civil War Performance of Masculinity; Notes; Works Cited; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y"]
[null,null,null,"Sommario/riassunto","Antislavery Discourse and Nineteenth-Century American Literature examines the relationship between antislavery texts and emerging representations of \"free labor\" in mid-nineteenth-century America. Husband shows how the images of families split apart by slavery, circulated primarily by women leaders, proved to be the most powerful weapon in the antislavery cultural campaign and ultimately turned the nation against slavery. She also reveals the ways in which the sentimental narratives and icons that constituted the \"family protection campaign\" powerfully influenced Americans sense of the role of government, gender, and race in industrializing America. Chapters examine the writings of ardent abolitionists such as Frederick Douglass, non-activist sympathizers, and those actively hostile to but deeply immersed in antislavery activism including Nathaniel Hawthorne."]