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[null,"1.","Record Nr.",null,"UNINA9910962187003321"]
[null,null,"Autore",null,"Brodskai͡a N. V (Natalʹi͡a Valentinovna)"]
[null,null,"Titolo",null,"Le Symbolisme / / [texte, Nathalia Brodskaïa]"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Parkstone International, [2012?]"]
[null,null,"ISBN",null,"9781283952057"]
[{"$nulls":4},"128395205X"]
[{"$nulls":4},"9781780427669"]
[{"$nulls":4},"1780427662"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (200 p.)"]
[null,null,"Collana",null,"Collection art of century"]
[null,null,"Disciplina",null,"700.9034"]
[null,null,"Soggetti",null,"Symbolism in art"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Sommaire; Introduction : le M anifeste du symbolisme par Jean Moréas; LE SYMBOLISME; SCENE PREMIERE; SCENE II; I. Le Symbolisme dans la littérature; II. Poèmes symbolistes; Charles Baudelaire, Une Charogne; Charles Baudelaire, Correspondances; Charles Baudelaire, Spleen; René Ghil, Aux Temps des dieux; Remy de Gourmont, Hiéroglyphes; Joris-Karl Huysmans, Sonnet liminaire; Alfred Jarry, Bardes et cordes; Gustave Kahn, La Coupe; Jules Laforgue, Complainte des pianos qu'on entend dans les quartiers aisés; Maurice Maeterlinck, Feuillage du cœur"]
[{"$nulls":4},"Stéphane Mallarmé, L'Après-Midi d'un faune (extrait)Robert de Montesquiou, Hymne à la nuit; Jean Moréas, Sensualité; Anna de Noailles, La Mort dit à l'homme...; Henri de Régnier, A Stéphane Mallarmé; Arthur Rimbaud, Voyelles; Saint-Pol-Roux, La Pluie purificatrice; Paul Valéry, Hélène; Emile Verhaeren, Le Roc (extrait); Paul Verlaine, Art poétique; Paul Verlaine, Langueur; III. Le Symbolisme dans l'art; Les Incontournables; Pierre Puvis de Chavannes (Lyon, 1824 - Paris, 1898); Arnold Böcklin (Bâle, 1827 - Zurich, 1901); Gustave Moreau (Paris, 1828 - Paris, 1898)"]
[{"$nulls":4},"Dante Gabriel Rossetti (Londres, 1828 - Birchington-on-Sea, 1882)Edward Burne-Jones (Birmingham, 1833 - Londres, 1898); Odilon Redon (Bordeaux, 1840 - Paris, 1916); Eugène Carrière (Gournay-sur-Marne, 1849 - Paris, 1906); Mikhail Aleksandrovich Vrubel (Omsk, 1856 - Saint-Pétersbourg, 1910); Fernand Khnopff (Grembergen-lez-Termonde, 1858 - Bruxelles, 1921); Jan Toorop (Purworejo, 1858 - La Haye, 1928); Edvard Munch (Løten, 1863 - Ekely, 1944); Franz von "]
[{"$nulls":4},"Stuck (Tettenweis, 1863 - Munich, 1928); Jens Ferdinand Willumsen (Copenhague, 1863 - Le Canet, 1958)"]
[{"$nulls":4},"Maurice Denis (Granville, 1870 - Paris, 1943)Notes; Bibliographie; Index"]
[null,null,null,"Sommario/riassunto","Entre 1880 et les premières années du XXe siècle, le symbolisme voit le jour en France et en Europe. Les symbolistes, fascinés par les mythologies anciennes, tentent d'échapper au règne de la pensée rationaliste imposée par la science. Souhaitant dépasser le monde du visible et du sensible pour atteindre le monde de la pensée pure, ils flirtent constamment avec les limites de l'inconscient.Les Français Gustave Moreau et Odilon Redon, les Belges Fernand Khnopff et Félicien Rops, les Anglais Burne-Jones et Dante Gabriel Rossetti et enfin le Hollandais Jan Toorop sont les artistes les plus représ"]