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[null,"1.","Record Nr.",null,"UNINA9910961929103321"]
[null,null,"Autore",null,"Sousa Ronald W"]
[null,null,"Titolo",null,"On Emerging from Hyper-Nation : Saramago's \"\"Historical\"\" Trilogy"]
[null,null,"Pubbl/distr/stampa",null,"Purdue University Press, 2015"]
[null,null,"ISBN",null,"9781612493503"]
[{"$nulls":4},"1612493505"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (296 p.)"]
[null,null,"Collana",null,"Purdue studies in romance literatures"]
[null,null,"Disciplina",null,"869.342"]
[null,null,"Soggetti",null,"Discourse analysis"]
[{"$nulls":4},"Historical fiction, Portuguese -- History and criticism"]
[{"$nulls":4},"Literature and history"]
[{"$nulls":4},"Saramago, Jose. -- Criticism and interpretation"]
[{"$nulls":4},"Historical fiction, Portuguese - History and criticism"]
[{"$nulls":4},"Romance Literatures"]
[{"$nulls":4},"Languages & Literatures"]
[{"$nulls":4},"Portuguese Literature"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,"Nota di contenuto",null,"\"\"Cover Page\"\"; \"\"Halftitle Page\"\"; \"\"Title Page\"\"; \"\"Copyright Page\"\"; \"\"Dedication\"\"; \"\"Contents\"\"; \"\"Acknowledgments\"\"; \"\"Introduction: Whatâ€?s in a Smile\"\"; \"\"Chapter One: Portuguese Fascism and Literary Institutionality\"\"; \"\"Chapter Two: Baltasar and Blimunda: The Readership Pact and the Release of Pleasure\"\"; \"\"Chapter Three: Reading the Labyrinth: Text as Obstacle in The Year of the Death of Ricardo Reis\"\"; \"\"Chapter Four: Mastering the Cultureâ€?s Tool Kit, or â€œIs the City Still Taken?â€?: The History of the Siege of Lisbonâ€?s Self-Invited Reader\"\""]
[{"$nulls":4},"\"\"Conclusion: What Has the Smile Brought with It?\"\"\"\"Notes\"\"; \"\"Works Cited and Consulted\"\"; \"\"Index\"\""]
[null,null,null,"Sommario/riassunto","On Emerging from Hyper-Nation represents Ronald W. Sousa's attempt to answer the question, \"Why do I smile on reading one of Saramago's 'historical' novels?\" Why that reaction of emotional release? To answer the \"smile question\" the book engages in a critical mode that could be described as \"discourse analysis.\" It combines several critical strains and relies on basic concepts from Freudian and Lacanian psychoanalysis, Adlerian psychology, and contemporary cognitive "]
[{"$nulls":4},"psychology for their discourse-analytical value rather than as entrées into psychoanalytical reading per se.  The introductory ch"]