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[null,"1.","Record Nr.",null,"UNINA9910958703303321"]
[null,null,"Autore",null,"Bubnova Nina <1974->"]
[null,null,"Titolo",null,"Governance impact on private investment : evidence from the international patterns of infrastructure bond risk pricing / / Nina B. Bubnova"]
[null,null,"Pubbl/distr/stampa",null,"Washington, DC, : World Bank, 2000"]
[null,null,"ISBN",null,"1-280-08707-2"]
[{"$nulls":4},"9786610087075"]
[{"$nulls":4},"0-585-41508-0"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"xiv, 79 pages : illustrations ; ; 27 cm"]
[null,null,"Collana",null,"World Bank technical paper ; ; no. 488"]
[null,null,"Disciplina",null,"332.67/253"]
[null,null,"Soggetti",null,"Infrastructure (Economics) - Finance"]
[{"$nulls":4},"Corporate governance"]
[{"$nulls":4},"Investments"]
[{"$nulls":4},"Country risk"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references."]
[null,null,"Nota di contenuto",null,"Intro -- Contents -- Foreword -- Acknowledgements -- Abstract -- Executive Summary -- Introduction -- Previous Research -- Analytical Framework -- Data -- What Drives Governance Risk Perception: Cluster Analysis of Political and Regulatory Risk Data -- Impact of Governance Risks on Investment Cost at Entry: Analysis of Cross- Sectional At- Issuance Spread Data -- True Market Perceptions of Governance Influence on Infrastructure Finance: Evidence from the Time- Series Bond Data -- Conclusions -- Annex A -- Annex B -- Annex C -- Annex D -- Annex E -- Annex F -- Annex G -- Notes -- References."]
[null,null,null,"Sommario/riassunto","During the last decade, capital markets increasingly became the main funding source for infrastructure finance and provision worldwide, including investments in developing and transition countries where infrastructure penetration still falls considerably short of needs. Infrastructure bonds served as the most popular method of oil, gas, electricity, telecommunications, and transport project financing in these countries throughout 1990-99, thereby substituting government funding. Thriving markets require not only an appropriate designed economic system, but also a secure political foundation that limits the ability of the state to confiscate wealth. This requires a presence of political institutions that credibly commit the state to honor economic "]
[{"$nulls":4},"and political rights. Investments in infrastructure are particularly susceptible to the risks of government interference. These and other risks impinge on investor confidence. This paper uses international cross-sectional and time-series infrastructure bond risk premium and credit rating history data from the past decade to examine the factors that influence investor risk perceptions and that inflate the cost of borrowing for essential infrastructure. The information thus generated about key governance risks is then analyzed for its policy implications."]
[null,"2.","Record Nr.",null,"UNINA9910961858503321"]
[null,null,"Autore",null,"Hörisch Jochen"]
[null,null,"Titolo",null,"Pop und Papageno : Über das Spannungsverhältnis zwischen U- und E-Musik / Jochen Hörisch"]
[null,null,"Pubbl/distr/stampa",null,"Paderborn, : Brill | Fink, 2017"]
[null,null,"ISBN",null,"3-8467-6081-1"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource"]
[null,null,"Disciplina",null,"780.9"]
[null,null,"Soggetti",null,"Adorno"]
[{"$nulls":4},"E-Musik"]
[{"$nulls":4},"Hochkultur"]
[{"$nulls":4},"Medien"]
[{"$nulls":4},"Pop"]
[{"$nulls":4},"U-Musik"]
[{"$nulls":4},"Underground"]
[null,null,"Lingua di pubblicazione",null,"Tedesco"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"Preliminary Material -- Wertfragen: Gut und schlecht oder gut und böse -- Totengespräche – Franz Schubert trifft John Lennon -- Wahrscheinlich hört wieder keiner zu – Adorno und die Paradoxien der Avantgarde-Musik -- Zeitkünste: Der Film und die Musik – Das Kino als Sphäre für U- und E-Musik -- Liebe, Eros und Sex – Die Gewalt der Leidenschaft und der Musik."]
[null,null,null,"Sommario/riassunto","›Pop‹ ist ein kurzes und prägnantes three letter word. Sein Sinn erschließt sich schnell. ›Pop‹ ist die Kurzfassung für ›populär‹. Im Wort Popmusik schwingt mit, dass diese Musik keine Scheu vor trivialen Knalleffekten hat. Genau dies aber kann auch bei sogenannter ernster Musik der Fall sein – sie kann zum Gassenhauer werden. Was also sind Gemeinsamkeiten und Unterschiede zwischen E- und U-Musik?Der Fall Mozart ist bestens geeignet, um deutlich zu machen, wie reizvoll heikel es um die Unterscheidung von E- und U-Musik steht. Viele seiner Kompositionen sind zweifellos populär, ja sie sind Pop-Musik. Man denke nur an die Kleine Nachtmusik, die unzählige Pop-Bearbeitungen erfahren hat, auch deshalb, weil sie sich dafür anbietet. Oder an die ›irre‹ Arie der Königin der Nacht aus der Zauberflöte, an die etwa die virtuosen Gitarrensoli von Jimi Hendrix erinnern. Unübersehbar ist auch, dass der junge Mozart lange, bevor es den Begriff gab, von "]
[{"$nulls":4},"seinem Vater zum Popstar aufgebaut und als Wunderkind vermarktet wurde. Parallelen zu Michael Jackson drängen sich geradezu zwanghaft auf. Virtuosen wie der Teufelsgeiger Niccolò Paganini oder der akrobatische Pianist Franz Liszt haben sich im 19. Jahrhundert ungemein erfolgreich selbst als Popstars avant la lettre inszeniert."]