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[null,"1.","Record Nr.",null,"UNINA9910155536003321"]
[null,null,"Titolo",null,"La traversée du Sambatyon"]
[null,null,"Pubbl/distr/stampa",null,"Sépia"]
[null,null,"ISBN",null,"2-14-001946-6"]
[null,null,"Lingua di pubblicazione",null,"Francese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910961579903321"]
[null,null,"Titolo",null,"Perspectives on contemporary printmaking : critical writing since 1986 / / editor, Ruth Pelzer-Montada"]
[null,null,"Pubbl/distr/stampa",null,"Manchester : , : Manchester University Press, , [2020]"]
[{"$nulls":4},"©2020"]
[null,null,"ISBN",null,"9781526125767"]
[{"$nulls":4},"1526125765"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (xx, 347 pages) : illustrations"]
[null,null,"Disciplina",null,"760"]
[null,null,"Soggetti",null,"Prints"]
[{"$nulls":4},"Printmakers"]
[{"$nulls":4},"Prints - Technique"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Originally published in print: 2018."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Part IV: The field -- Edinburgh Printmakers and the notion of the workshop (2007) / Daniel F. Herrmann -- Projects and portfolios: narrative and structure (1995) / Jeremy Lewison -- Lasting impressions? A museum perspective on digital fine art printmaking (2009) / Gill Saunders -- Print and the public sphere (2011) / Sheryl Conkelton -- The work event: art in the distributed field and systems of production (2013) / Johanna Drucker -- All the instruments agree (2010) / Eric Triantafillou -- Stamping (molding) marks: the San Juan Triennial tracking the new century (2004) / Mari Carmen Ramírez -- Chinese printmaking in the twenty-first century: new horizons and energies (2011) / Shang Hui -- What is 'studio' in the post-disciplinary age? (2011) / Matthew Perkins -- Making a place: art and a multi-modal, multi-disciplinary approach (2014) / Amanda Thomson -- Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir (2014) / R. L. Tillman."]
[{"$nulls":4},"Part III: Keywords -- Coordinates of a history of the technical image 2003) / Ernst Rebel -- The status of the reproduction (1988) / Susan Lambert -- Benjamin's blindspot: aura and reproduction in the post-print age (2015) / Clare Humphries -- Are all multiples the same? The problematic nature of the limited edition (2015) / K. E. Gover -- Printing plates and pixel matrix: the mechanisation of memory (2010) / Frieder Nake -- Opening up an anachronistic point of view (1997) / "]
[{"$nulls":4},"Georges Didi-Huberman -- Untying the knot: memory and forgetting in contemporary print work (2013) / Deidre Brollo -- Spirit duplication (2010) / Yara Flores -- Three ways to use yellow (2014) / Catherine Brooks -- On the manual (in the manual)"]
[{"$nulls":4},"Part II: Debates -- The syntax of the print: in search of an aesthetic context (1986) / Ruth Weisberg -- Sentences on printed art (1994) / Richard S. Field -- The re-vision of printmaking(1999) / Kathryn Reeves -- The shape of graphic art (2010) / Andrzrej Bednarczyk -- The graphic unconscious or the how and why of a print triennial (2011) / Jose Roca -- Print as other: the future is queer (2013) / Richard Harding -- The what and the why of print (2016) / Barbara Balfour"]
[{"$nulls":4},"Part I: Genealogy -- Fragments for an art history of media: electr(on)ic thinking (1997) / Beat Wyss -- The technical gaze: the parallel world of photography (2003) / Ernst Rebel -- Post-print culture? (2013) / Frances Robertson"]
[{"$nulls":4},"Part I: Genealogy -- Part II: Debates -- Part III: Keywords -- Part IV: The field."]
[null,null,null,"Sommario/riassunto","\"This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research.\"--Publisher's description"]