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[null,"1.","Record Nr.",null,"UNINA9910794124703321"]
[null,null,"Titolo",null,"The history of Chinese animation . II [[electronic resource]. /] / edited by Lijun Sun ; translated by Shi Yi and Li Junting"]
[null,null,"Pubbl/distr/stampa",null,"London, : Routledge, 2020"]
[null,null,"ISBN",null,"0-367-85503-8"]
[{"$nulls":4},"1-000-74013-7"]
[null,null,"Descrizione fisica",null,"1 online resource (247 pages)"]
[null,null,"Collana",null,"China Perspectives"]
[null,null,"Disciplina",null,"791.43340951"]
[null,null,"Soggetti",null,"Animated films - China - History and criticism"]
[{"$nulls":4},"Animation (Cinematography) - China - History"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Sommario/riassunto","China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China's animation industry. The author divides the business's 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works, themes, directions, artistic styles, techniques, industrial development, government support policies, business models, the nurturing of education and talent, broadcasting systems, and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies."]
[null,"2.","Record Nr.",null,"UNINA9910961493903321"]
[null,null,"Autore",null,"Cornoldi Cesare"]
[null,null,"Titolo",null,"Stretching the imagination : representation and transformation in mental imagery / / Cesare Cornoldi [and others]"]
[null,null,"Pubbl/distr/stampa",null,"New York : , : Oxford University Press, , 2023"]
[null,null,"ISBN",null,"0-19-773691-2"]
[{"$nulls":4},"0-19-802600-5"]
[{"$nulls":4},"1-280-45161-0"]
[{"$nulls":4},"0-19-535673-X"]
[{"$nulls":4},"1-4237-3573-0"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (206 p.)"]
[null,null,"Collana",null,"Counterpoints"]
[{"$nulls":4},"Oxford scholarship online"]
[null,null,"Disciplina",null,"153.3/2"]
[null,null,"Soggetti",null,"Mental representation"]
[{"$nulls":4},"Perception"]
[{"$nulls":4},"Imagery (Psychology)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Previously issued in print: 1996."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Contents; 1. Counterpoints in Perception and Mental Imagery: Introduction; 2. When Imagery Fails: Effects of Verbal Receding on Accessibility of Visual Memories; 3. The Many Faces of Mental Images; 4. The Nonambiguity of Mental Images; 5. Ducks, Rabbits, and Hedgehogs: Resolution, Impasse, or Fostered Debate?; Index; A; B; C; D; E; F; G; H; I; L; M; N; O; P; R; S; T; U; V; W"]
[null,null,null,"Sommario/riassunto","This is the first volume in the Counterpoints Series, which explores the issues being debated in psychology, child development, linguistics, and neuroscience. Each volume consists of the presentation of three or four extensive chapters by researchers representing key points of view on the issue. This text examines one of the liveliest areas of debate in psychology today, the relationship between perception and mental imagery. A variety of recent studies have pointed to the existence of a strong relationship between memory and mental representation, while others have shown that images are open"]