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[null,"1.","Record Nr.",null,"UNINA9910961346303321"]
[null,null,"Autore",null,"Kellow Brian"]
[null,null,"Titolo",null,"The Bennetts : an acting family / / Brian Kellow"]
[null,null,"Pubbl/distr/stampa",null,"Lexington, Ky, : University Press of Kentucky, c2004"]
[null,null,"ISBN",null,"9786613232953"]
[{"$nulls":4},"9780813138183"]
[{"$nulls":4},"0813138183"]
[{"$nulls":4},"9781283232951"]
[{"$nulls":4},"1283232952"]
[{"$nulls":4},"9780813171920"]
[{"$nulls":4},"081317192X"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (577 p.)"]
[null,null,"Disciplina",null,"791.4302/8/092273"]
[{"$nulls":4},"B"]
[null,null,"Soggetti",null,"Actors - United States"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Description based upon print version of record."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. [509]-513) and index."]
[null,null,"Nota di contenuto",null,"Front cover; Copyright; Contents; Preface; Prologue; 1. 1870-1900; 2. 1900-1904; 3. 1904-1914; 4. 1914-1920; 5. 1920-1924; 6. 1925-1927; 7. 1927-1929; 8. 1929-1930; 9. 1930-1931; 10. 1931-1932; 11. 1933-1935; Photo Insert 1; 12. 1934-1937; 13. 1937-1940; 14. 1941-1943; 15. 1944; 16. 1945-1947; 17. 1948; 18. 1949-1950; 19. 1951-1952; 20. 1953-1958; Photo Insert 2; 21. 1959-1965; 22. 1966-1971; 23. 1972-1990; Feature Films; Selected Television Appearances; Notes; Selected Bibliography; Index"]
[null,null,null,"Sommario/riassunto","\"\" The Bennetts: An Acting Family is a chronicle of one of the royal families of stage and screen. The saga begins with Richard Bennett, a small-town Indiana roughneck who grew up to be one of the bright lights of the New York stage during the early twentieth century. In time, however, Richard's fame was eclipsed by that of his daughters, Constance and Joan, who went to Hollywood in the 1920's and found major success there. Constance became the highest-paid actress of the early 1930's, earning as much as 30,000 a week in melodramas. Later she reinvented herself as a comedienne in the classic"]