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[null,"1.","Record Nr.",null,"UNINA990006988710403321"]
[null,null,"Autore",null,"Gaius"]
[null,null,"Titolo",null,"Gai institutiones secundum codicis veronensis apographum studemundianum et reliquias in Aegypto repertas ; edidit M. David"]
[null,null,"Pubbl/distr/stampa",null,"Leiden : E.J. Brill, 1948"]
[null,null,"Edizione",null,"[Editio minor]"]
[null,null,"Descrizione fisica",null,"XIV, 157 p. ; 24 cm"]
[null,null,"Collana",null,"Studia Gaiana ; 1"]
[null,null,"Disciplina",null,"340.54"]
[null,null,"Locazione",null,"FGBC"]
[null,null,"Collocazione",null,"IV RZ STUDI 79"]
[null,null,"Lingua di pubblicazione",null,"Latino"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,"2.","Record Nr.",null,"UNINA9910960527103321"]
[null,null,"Autore",null,"Brodskai͡a N. V (Natalʹi͡a Valentinovna)"]
[null,null,"Titolo",null,"Post-impressionism / / Nathalia Brodskaïa"]
[null,null,"Pubbl/distr/stampa",null,"New York, : Parkstone International, [2012?]"]
[null,null,"ISBN",null,"9781283952231"]
[{"$nulls":4},"1283952238"]
[{"$nulls":4},"9781780428024"]
[{"$nulls":4},"1780428022"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (200 p.)"]
[null,null,"Collana",null,"Art of century collection"]
[null,null,"Disciplina",null,"759"]
[null,null,"Soggetti",null,"Post-impressionism (Art)"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Includes index."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"CONTENTS; INTRODUCTION; The Technical and Scientific Revolution; Post-Impressionism and its Contributions; MAJOR ARTISTS; PAUL CÉZANNE (1839-1906); NEO-IMPRESSIONISM; VINCENT VAN GOGH (1853-1890); PAUL GAUGUIN (1848-1903); HENRI DE TOULOUSE-LAUTREC (1864-1901); THE NABIS; NOTES; INDEX"]
[null,null,null,"Sommario/riassunto","While Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist's theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, while Cézanne renounced perspective. Rich in its variety and in the singularity of its artists,"]