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[null,"1.","Record Nr.",null,"UNINA9910467938503321"]
[null,null,"Titolo",null,"The Decameron first day in perspective : volume one of the Lecturae Boccaccii / / edited by Elissa B. Weaver"]
[null,null,"Pubbl/distr/stampa",null,"Toronto, [Ontario] ; ; Buffalo, [New York] ; ; London, [England] : , : University of Toronto Press, , 2004"]
[{"$nulls":4},"©2004"]
[null,null,"ISBN",null,"1-4426-8109-8"]
[null,null,"Descrizione fisica",null,"1 online resource (279 pages) : illustrations"]
[null,null,"Collana",null,"Toronto Italian Studies"]
[null,null,"Disciplina",null,"853/.1"]
[null,null,"Soggetti",null,"Electronic books."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references and index."]
[null,null,"Nota di contenuto",null,"Front matter -- Contents -- Preface -- Introduction / Weaver, Elissa B. -- The Decameron Proem / Hollander, Robert -- The Place of the Title (Decameron, Day One, Introduction) / Stillinger, Thomas C. -- The Stones -- The Tale of Ser Ciappelletto (I.1) / Fido, Franco / Fido, Franco -- The Tale of Abraham the Jew (Decameron I.2) / Cottino-Jones, Marga -- The Tale of the Three Rings (I.3) / Stewart, Pamela D. -- The Tale of the Monk and His Abbot (I.4) / Martinez, Ronald -- The Tale of the Marchioness of Monferrato (I.5) / Terza, Dante Della -- The Tale of the Inquisitor (I.6) / Smarr, Janet Levarie -- The Tale of Bergamino (I.7) / Picone, Michelangelo -- The Tale of Guiglielmo Borsiere (I.8) / Kirkham, Victoria -- The Tale of the King of Cyprus and the Lady of Gascony (I.9) / Forni, Pier Massimo -- The Tale of Maestro Alberto (I.10) / Marcus, Millicent -- Bibliography -- Contributors -- Index"]
[null,null,null,"Sommario/riassunto","Giovanni Boccaccio's Decameron is the best known and most read work in Italian literature next to Dante's Divine Comedy. In the tradition of Lectura Dantis, the practice of story-by-story critical readings of Dante's work, Elissa Weaver has collected essays from some of the most prominent American Boccaccio scholars to provide critical readings of the Decameron Proem, Introduction, and the ten stories that constitute the first of the ten 'days' of storytelling. The first of the twelve essays opens the volume with a consideration of the Proem, demonstrating the importance of Boccaccio's literary subtexts (Ovidian and Dantean) for understanding his poetics. The second essay, on the Introduction, discusses the title of the work and the framing tale. The remaining ten contributions treat in detail each story, examining the literary, ethical, "]
[{"$nulls":4},"and social concerns embodied in the short narratives and in the context provided by the comments and discussions of the story-tellers, and exploring the intertextual relations within the Decameron and with sources and analogues. This inaugural book in a new series of critical essays on the Decameron will provide an important guide to reading the complex series of narratives that constitute the opening of the Decameron and will serve as a guide to reading the entire work."]
[null,"2.","Record Nr.",null,"UNINA9910960349803321"]
[null,null,"Autore",null,"Candland Lara <1967->"]
[null,null,"Titolo",null,"The lapidary’s nosegay / / Lara Candland"]
[null,null,"Pubbl/distr/stampa",null,"Fort Collins, Colorado, : The Center for Literary Publishing, Colorado State University, [2018]"]
[null,null,"ISBN",null,"9781885635624"]
[{"$nulls":4},"1885635621"]
[null,null,"Descrizione fisica",null,"1 online resource (127 pages)"]
[null,null,"Collana",null,"The mountain west poetry series"]
[null,null,"Disciplina",null,"811.6"]
[null,null,"Soggetti",null,"Experimental poetry"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,"Nota di contenuto",null,"A key to parenthetical and other markings -- Notes on the writing of The lapidary's nosegay -- A sudden (((bright coin))) -- Ambuscade of clover -- Angels babble -- Beetle's ordination -- Buttercups rannunculae -- Chartered (((from my otter's window))) -- (((daffodils))) :: (((my blondines))):: -- Declined day-phantom's bare & groping feet -- ((dim)) & unsuspected tenderness -- Eyes-little trees- -- & favorite tints -- Gaunt swimmers ransomed -- Globe-bashful-humming -- (((green cartiers)))- -- *(((hoard of gems))) -- ((( i died))) -- I gather idle (((bumble-bees))) -- Jointed- -- King's fork -- Lost-the stolid bee -- My tree -- (((moth-star dropt))) last night & -- Night hid her throes: -- (((o))) heart-sodden & -- Our antiquary ransacks august -- Pare this apple -- & pauper's slit & -- (((parceled))) in yellow tulle- -- Peeps onto that sleeping egg -- Quivering- -- Ragged phoebes (((tremor))) -- Rapt: morning:: -- :: rouge november- -- September's escutcheon -- Snow falls april (across the altar) -- The child is a small ear -- The (((timbral))) flickers- -- This (((broily))) day -- ***throng of acorns -- Unfrequented & august -- Vane turns in zephyret -- We have slendered ourselves -- Window's anodyne does not fail- -- Extacy -- Yclept -- Zinnia????."]
[null,null,null,"Sommario/riassunto","\"The Lapidary's Nosegay, Lara Candland's primer of poems, presents to readers a bouquet of resplendent poems that Candland has created, collaged, curated, and re-imagined by using the rich floral and gem imagery in the poetry of Emily Dickinson as her primary source material. Dickinson and Candland share linguistic and theological roots in the Bible, nineteenth-century American Protestantism, and a lexicon "]
[{"$nulls":4},"distinctive to their specific individuarian communities, and this collection of poems draws a serpentine kind of map across nearly two centuries, journeying from Amherst, Massachusetts to Provo, Utah, from Dickinson's severe and lush New England to Candland's own jagged, harsh, and stunning high desert Utah. The Lapidary's Nosegay explores the ways that both poets have simultaneously challenged and embraced the axiomatic constraints of religion, landscape, and cultural conventions and expectations of each poet's time and place. Aesthetically, Candland attempts to challenge the hierarchies of the page through linguistic, typographic, and sonic experimentation. The Lapidary's Nosegay carries Dickinsonian echoes to alliterative and parenthetic excessivities that indicate sound stresses, or that pictographically invoke sun, god, ghosts, ecstasy, and the jewels and flowers tumbling throughout Dickinson's own poems. This collection works at toppling textual hierarchies, systematically jumbling sound, text, meaning, symbol, and context, entering the vein of radical American aesthetics, politics, and culture that have shaped Candland's life and poetics.\"--Provided by publisher."]