{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":20,"n_cols":5,"rows_kept":20,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[8,2,8,3],[9,2,9,3],[10,2,10,3],[11,2,11,3],[12,2,12,3],[13,2,13,3],[14,2,14,3],[18,2,18,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910960283403321"]
[null,null,"Autore",null,"Insdorf Annette"]
[null,null,"Titolo",null,"Philip Kaufman / / Annette Insdorf"]
[null,null,"Pubbl/distr/stampa",null,"Urbana, : University of Illinois Press, c2012"]
[null,null,"ISBN",null,"9781283735346"]
[{"$nulls":4},"1283735342"]
[{"$nulls":4},"9780252093975"]
[{"$nulls":4},"0252093976"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (178 p.)"]
[null,null,"Collana",null,"Contemporary film directors"]
[null,null,"Disciplina",null,"791.4302/33092"]
[null,null,"Soggetti",null,"Motion picture producers and directors"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Bibliographic Level Mode of Issuance: Monograph"]
[null,null,null,"Nota di bibliografia","Includes bibliographical references, filmography, and index."]
[null,null,"Nota di contenuto",null,"An eye for an \"I\". Sexual and artistic freedom -- Male relationships and codes of honor -- Fallible perception and trust -- Interview with Philip Kaufman."]
[null,null,null,"Sommario/riassunto","In this study, Annette Insdorf argues that Philip Kaufman's cinema is both stylistically and philosophically rich and that his versatility is what distinguishes him as an auteur."]