{"text_format":"2","workbook":"xls","n_sheets":1,"sheets":["report2"],"not_rendered":{"charts":0,"images":0,"macros":0,"external_links":1,"defined_names":1,"comments":0,"pivot_tables":0},"unopened":[],"bounds":{"document_bytes":16777216,"sheet_cells":100000,"run_cost":"one","rows_first":2000,"rows_last":500,"rows_between":2000,"halvings":0,"cell_chars":16384,"cell_head_chars":4096},"cells_cut":0,"cells_raw":0,"read":"whole","date_system":"1900","formulas":"cached_only"}

{"sheet":"report2","index":0,"n_rows":25,"n_cols":5,"rows_kept":25,"cut":false,"hidden":false,"merged":[[0,2,0,3],[0,4,0,5],[1,2,1,3],[1,4,1,5],[2,2,2,3],[2,4,2,5],[3,2,3,3],[4,2,4,3],[12,2,12,3],[13,2,13,3],[14,2,14,3],[15,2,15,3],[17,2,17,3],[18,2,18,3],[22,2,22,3]],"flags":["formulas_cached_only"]}
[null,"1.","Record Nr.",null,"UNINA9910960021903321"]
[null,null,"Autore",null,"Greaney Michael"]
[null,null,"Titolo",null,"Conrad, language, and narrative / / Michael Greaney"]
[null,null,"Pubbl/distr/stampa",null,"Cambridge : , : Cambridge University Press, , 2002"]
[null,null,"ISBN",null,"1-107-12457-3"]
[{"$nulls":4},"0-521-12084-5"]
[{"$nulls":4},"0-511-30383-1"]
[{"$nulls":4},"0-511-15526-3"]
[{"$nulls":4},"0-511-11987-9"]
[{"$nulls":4},"1-280-16239-2"]
[{"$nulls":4},"0-511-04448-8"]
[{"$nulls":4},"0-511-48510-7"]
[null,null,"Edizione",null,"[1st ed.]"]
[null,null,"Descrizione fisica",null,"1 online resource (ix, 194 pages) : digital, PDF file(s)"]
[null,null,"Disciplina",null,"823/.912"]
[null,null,"Soggetti",null,"Fiction - Technique"]
[{"$nulls":4},"Narration (Rhetoric) - History - 20th century"]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Title from publisher's bibliographic system (viewed on 05 Oct 2015)."]
[null,null,null,"Nota di bibliografia","Includes bibliographical references (p. 185-192) and index."]
[null,null,"Nota di contenuto",null,"pt. I. Speech Communities. 1. 'The realm of living speech': Conrad and oral community. 2. 'Murder by language': 'Falk' and Victory. 3. 'Drawing-room voices': language and space in The Arrow of Gold -- pt. II. Marlow. 4. Modernist storytelling: 'Youth' and 'Heart of Darkness'. 5. The scandals of Lord Jim. 6. The gender of Chance -- pt. III. Political Communities. 7. Nostromo and anecdotal history. 8. Linguistic dystopia: The Secret Agent. 9. 'Gossip tales, suspicions': language and paranoia in Under Western Eyes."]
[null,null,null,"Sommario/riassunto","In this re-evaluation of the writings of Joseph Conrad, Michael Greaney places language and narrative at the heart of his literary achievement. A trilingual Polish expatriate, Conrad brought a formidable linguistic self-consciousness to the English novel; tensions between speech and writing are the defining obsessions of his career. He sought very early on to develop a 'writing of the voice' based on oral or communal modes of storytelling. Greaney argues that the 'yarns' of his nautical raconteur Marlow are the most challenging expression of this voice-centred aesthetic. But Conrad's suspicion that words are fundamentally untrustworthy is present in everything he wrote. The political novels of "]
[{"$nulls":4},"his middle period represent a breakthrough from traditional storytelling into the writerly aesthetic of high modernism. Greaney offers an examination of a wide range of Conrad's work which combines recent critical approaches to language in post-structuralism with an impressive command of linguistic theory."]