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[null,"1.","Record Nr.",null,"UNINA9910959587903321"]
[null,null,"Autore",null,"McCarthy Tom"]
[null,null,"Titolo",null,"Recessional-Or, the Time of the Hammer"]
[null,null,"Pubbl/distr/stampa",null,"[Place of publication not identified], : Diaphanes, , 2016"]
[null,null,"ISBN",null,"3-03734-615-9"]
[null,null,"Descrizione fisica",null,"1 online resource (35 pages)"]
[null,null,"Collana",null,"Think Art"]
[null,null,"Disciplina",null,"809.93384"]
[null,null,"Soggetti",null,"Art and literature"]
[{"$nulls":4},"Art criticism"]
[{"$nulls":4},"Arts and Literature"]
[{"$nulls":4},"Essays"]
[{"$nulls":4},"Interviews"]
[{"$nulls":4},"Essay"]
[{"$nulls":4},"Interviews."]
[null,null,"Lingua di pubblicazione",null,"Inglese"]
[null,null,"Formato",null,"Materiale a stampa"]
[null,null,null,"Livello bibliografico","Monografia"]
[null,null,null,"Note generali","Archived and cataloged by Library Stack"]
[null,null,null,"Sommario/riassunto","\"In this essay, based on a talk he gave in Zurich, award-winning British novelist Tom McCarthy (\"Remainder\", \"C\", \"Satin Island\") unearths a pattern, a rationale that is working both in and against the canon of modern(ist) literature, of authors such as Thomas Pynchon, Maurice Blanchot, Thomas Mann, Joseph Conrad, James Joyce and William Faulkner. McCarthy tackles a specific obsession with time that haunts their works; a time that is marked by arrest, pause, suspension, interval, eternal moments, tool-downage, waiting. Recessional time, as it were. Time-out-of-time. This is precisely that time (or tense) of fiction that is central to Tom McCarthy's own writing. The essay is followed by a conversation with the author in which he discusses his own practice of writing.\"--"]